Joseph Yaeger was born in 1986 in Helena, Montana, and lives and works in London. He received his BFA from Rhode Island School of Design (2008) and completed his MFA at the Royal College of Art, London (2019). Selected solo exhibitions include: Antenna Space, Shanghai (2024); The Perimeter, London (2023); Antenna Space, Shanghai (2022); Project Native Informant, London (2021); V.O. Curations, London (2020). Selected group shows include: Modern Art, London (2024); Hauser & Wirth Somerset, Bruton (2024); Lisson Gallery, London (2024); k11, Shanghai (2023); Hannah Hoffman Gallery, Los Angeles (2022); David Lewis, New York (2022); The Perimeter, London (2022); and Mamoth, London (2020).

Pope.L was born in 1955 in Newark, New Jersey, and died in 2023 in Chicago. He received his BFA from Montclair State College (1978), later attending the Whitney Independent Study Program before completing his MFA at Rutgers, the State University of New Jersey in 1981. In 2002 a travelling survey, William Pope.L: eRacism, was organised by the Institute of Contemporary Art, Maine College of Art. The same year, he performed The Great White Way, 22 miles, 5 years, 1 street, by crawling twenty-two miles up Broadway from Lower Manhattan’s Financial District. From 2019-20, his work was the subject of a group of complementary exhibitions organised by the Museum of Modern Art, the Whitney Museum of American Art, and Public Art Fund. Recent solo exhibitions include Recent solo exhibitions include Pope.L's first institutional solo show in the UK at the South London Gallery (2023); Schinkel Pavillon, Berlin (2022); Modern Art, London (2021); La Panacée, Montpellier (2018); and the Geffen Contemporary at Museum of Contemporary Art, Los Angeles (2015). He has participated in recent group exhibitions at the Walker Art Center, Minneapolis (2021); the Wexner Center for the Arts, Columbus (2021); Museum of Contemporary Art, Chicago (2019); Crystal Bridges Museum of American Art, Bentonville (2019); the Carnegie Museum of Art, Pittsburgh (2019); and the Aargauer Kunsthaus, Aarau (2019). Pope.L’s works are held in collections including the Art Institute of Chicago; the Bronx Museum of Arts; ICA Boston; Museum of Modern Art, New York; The Studio Museum in Harlem; and the Whitney Museum of American Art, New York.

Sanya Kantarovsky was born in Moscow in 1982 and emigrated to New York City when he was ten years old, where he continues to live and work. His work has been the subject of recent solo exhibitions at Modern Art, Paris (2023); Aspen Art Museum (2022); Modern Art, London (2021); Kunsthalle Basel (2018); and Fondazione Sandretto Re Rebaudengo, Turin (2017). He has participated in recent group exhibitions at Museum de Fundatie, Zwolle (2022); the FLAG Art Foundation, New York (2021); the Drawing Center, New York (2020); the Whitechapel Gallery, London (2020); Badischer Kunstverein, Karlsruhe (2019); and ICA Boston (2018). His works are held in collections including the Art Gallery of New South Wales, Sydney; the Buffalo AKG Art Museum, Buffalo; the Courtauld Gallery, London; the Hammer Museum, Los Angeles; the Hirshhorn, Washington, D.C.; Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; Museum of Contemporary Art, Chicago; Tate, London; and the Whitney Museum of American Art, New York.

Andrew Cranston was born in Hawick in 1969, and lives and works in Glasgow, Scotland. His work has been the subject of recent solo exhibitions at Modern Art, Paris (2024); Hepworth Wakefield, Wakefield (2023); Ingleby Gallery, Edinburgh (2023); Modern Art, London (2022). Group exhibitions include: ‘The Moth and the Thunderclap’, Modern Art, London (2023); ‘The Inner Island’, Villa Carmignac (2023); ‘Dreamhome’, Art Gallery of New South Wales, Sydney (2022) the Royal Academy, London (2022); Jerwood Gallery, Hastings (2019). Cranston’s works are held in collections including: Tate, London; Scottish National Gallery, Edinburgh; the Art Gallery of New South Wales, Sydney; ICA Miami; Los Angeles County Museum of Art; the Portland Art Museum; and the Royal Scottish Academy, Edinburgh. In June 2025, his work will be presented alongside Winifred Nicholson at The Pier Arts Centre, Orkney, Scotland, with the exhibition then touring to the Holburne Museum, Bath.

Richard Aldrich was born in 1975 in Hampton, VA, and lives and works in New York City. His work has been the subject of solo exhibitions at Modern Art, London (2024, 2021, 2019); Gladstone Gallery, Seoul (2024); Fondazione Giuliani, Rome (2022); Museum Dhondt-Dhaenens, Deurle (2016); San Francisco Museum of Modern Art (2011); and the Contemporary Art Museum St. Louis (2011). He has participated in recent group exhibitions at the Museum of Contemporary Art Busan (2022); the National Museum of Art, Osaka (2019); Aïshti Foundation, Beirut (2018); and the Wexner Center for the Arts, Columbus (2018). Aldrich’s works are held in collections including MoMA, New York; the Smithsonian American Art Museum, Washington, D.C.; San Francisco Museum of Modern Art; the Whitworth Art Gallery, University of Manchester; and the Whitney Museum of American Art, New York.

Richard Tuttle was born in 1941 in Rahway, New Jersey. He lives and works in New York and Abiquiú, New Mexico. At the age of 23, he joined Betty Parsons Gallery as an assistant. He mounted his first exhibition there the following year, in 1965. His work was soon included in redefining exhibitions, among them When Attitudes Become Form (1969), Anti-Illusion: Procedures/Materials (1969); and documenta 5 (1972). The controversy surrounding his radical 1975 solo show at the Whitney Museum of American Art saw the dismissal of its prescient curator, Marcia Tucker (who went on to found the New Museum, New York). A travelling retrospective, The Art of Richard Tuttle, was organised by San Francisco Museum of Modern Art in 2005 and mounted at venues including the Whitney Museum of American Art, Des Moines Art Center, Dallas Museum of Art, Museum of Contemporary Art, Chicago, Museum of Contemporary Art, Los Angeles. In 2014, Tuttle was commissioned to create a new installation for the Turbine Hall at Tate Modern, which coincided with a solo exhibition at the Whitechapel Gallery, London

His expansive practice has been the subject of recent solo exhibitions at 125 Newbury, New York (2024); Bard Graduate Center, New York (2022); Modern Art, London (2023, 2020); M WOODS, Beijing (2019); The Phillips Collection, Washington, D.C. (2018); Mu.ZEE, Ostend (2017); The Metropolitan Museum of Art, New York (2016); and Kunstmuseum Winterthur (2016). Tuttle’s work is held in collections including Centre Pompidou, Paris; Louisiana Museum of Modern Art, Humlebæk; Museum Ludwig, Cologne; Museum of Modern Art, New York; the Stedelijk Museum, Amsterdam; Des Moines Art Center, Iowa; Serralves Museum, Porto; Kunstmuseum Winterthur; Moderna Museet, Stockholm; Museum of Modern Art, New York; Museum Brandhorst, Munich; Ludwig Museum, Cologne; S.M.A.K. – Stedelijk Museum voor Actuele Kunst, Ghent; Whitney Museum of American Art; Tate, London; and the Walker Art Center, Minneapolis.

Christopher Culver was born in Miami in 1985 and lives and works in New York. Culver received his BFA from the San Francisco Art Institute in 2008, and his MFA from the University of Texas at Austin in 2013. Selected solo exhibitions include ‘Unhome’, American Art Catalogues, New York (2025); ‘Tough Joy’, Michael Benevento, Los Angeles (2024); ‘Manhattan’, Chapter NY, New York (2023); ‘Interior’, The Meeting, New York, ‘The Problem with Worlds’, A.D., New York (both 2021), ‘Goodbye Houses’, Redling Fine Art, Los Angeles (2017). Selected group exhibitions include: Greene Naftali, New York (2025) ‘A Vanished Wholeness’, Modern Art, Paris (2025), DIANA Gallery, New York(2024); Pendulum, Winter Street Gallery, Edgartown (2023); ‘The Prey and the Shadow’, Crèvecoeur, Paris; ‘Off-Kilter’, Michael Benevento, Los Angeles; ‘About Tegne’, Collaborations, Copenhagen, New memories, ECHO, Cologne (all 2022), ‘Some Say the Soul is Made of Wind’, Downs & Ross, New York; and ‘Who’s Afraid of the Great Indoors’, Redling Fine Art, Los Angeles (both 2021). In late 2025, Culver will present a solo exhibition at Modern Art.