Polygrapher denotes both the exhibition title and a text written by the artist, published in the exhibition’s accompanying booklet. Taking the form of an interrogation the artist underwent attached to a Stoelting UltraScribe––and in which only the answers have been transcribed––it creates a framework for the experience of the subsequent paintings. Masks, paint, screens, taped-over goggles, debris, foam, the paintings' obscured subjects echo the alleged verity laid out within the text.

The paintings in the exhibition are produced with watercolour on thickly gessoed canvas or linen. Yaeger values the materiality of the pockmarked and textured gesso in addition to the vicissitudes of the watercolour pigment. His compositions are typically cropped, both revealing and curtailing the viewer’s encounter with a scene, fostering an atmosphere of emotional and spatial ambiguity. While Yaeger’s writing practice evokes these phantasmatic spaces, the paintings in the exhibition attempt to grasp what language cannot convey.

Joseph Yaeger was born in 1986 in Helena, Montana, and lives and works in London. He received his BFA from Rhode Island School of Design (2008) and completed his MFA at the Royal College of Art, London (2019). Recent solo exhibitions include: Antenna Space, Shanghai (2024); The Perimeter, London (2023); Project Native Informant, London (2021); V.O. Curations, London (2020).

For more information, please contact Sam Talbot (sam@sam-talbot.com) or Saskia Hartman Davies (saskia@modernart.net).