Published on the occasion of the artist's debut exhibition at Greene Naftali, this limited-edition catalog takes its name from one of Caguiat's haunting early videos, richly documented here alongside a selection of his latest paintings. An original essay by Th. Killian Roach links these dense and dreamlike canvases to a range of cultural touchstones—from Picabia and Bellmer to Aldous Huxley to a map of the Tokyo metro—and unfurls the process by which Caguiat's painted "layers nest and make their own networks, atmospheres, erratic gravities."