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Walter Price

Walter Price aims to remove any imposed hierarchy between drawing and painting, as well as abstraction and figuration. With a longstanding interest in colour and the power of everyday objects – he often repeats forms and titles in his artworks and exhibitions. The repeated use of the exhibition title ‘Pearl Lines’ underscores the fundamental importance of repetition and the drawn line in his oeuvre. Price attributes this interest in repetition in particular back to the four years he served in the US Navy and the daily life routine this provided. 

Walter Price was born in Macon, Georgia in 1989 and lives and works in New York. Recent solo exhibitions include Greene Naftali, New York (2025; 2022; 2020); Walker Art Center, Minneapolis, (2024); David Zwirner, Los Angeles, (2024); Modern Art, London, (2024); Camden Art Centre, London (2021); Aspen Art Museum (2019); MoMA PS1, New York (2018); and Kölnischer Kunstverein, Cologne (2018). His work was included in the 2019 Whitney Biennial, and is in the permanent collections of the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; the Studio Museum in Harlem, New York; Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; Walker Art Center, Minneapolis; High Museum of Art, Atlanta; Astrup Fearnley Museet, Oslo; Fondation Louis Vuitton, Paris; Fondazione Sandretto Re Rebaudengo, Turin; Hessel Museum of Art, Annandale- on-Hudson, New York; Aïshti Foundation, Lebanon; and Rollins Museum of Art, Orlando, among others. In October 2025, Walter Price will have a solo show at Modern Art, Paris.

Press
Biography

Press

Texte Zur KunstAbstraction as Ornament, 16 May 2025
Artforum31 January 2024
Cultured MagWalter Price Doesn't Aim to Please, 2 December 2022
Art ReviewWalter Price Opens the Trapdoor, 20 December 2022
Financial TimesPearl Lines by Walter Price: dancing with whiteness, 23 April 2021
Studio InternationalPearl Lines, 1 June 2021

Biography

Walter Price

Born in Macon, GA, USA, 1989 Lives and works in New York, NY, USA

Education

2011-13
AA, Middle Georgia College
Cochran, Georgia, USA
2011
Art Institute of Washington
Arlington, VA, USA

Solo Exhibitions

2025
Greene Naftali
New York, NY, USA
2024
David Zwirner
Los Angeles, CA, USA
Pearl Lines
Walker Art Center, Minneapolis, MN, USA
Pearl Lines
Modern Art, London
2023
Pearl Lines
14a, Hamburg, Germany
2022
Pearl Lines
The Modern Institute, Glasgow
Pearl Lines
Galerie Barbara Wien, Berlin, Germany
Pearl Lines
Greene Naftali, New York, NY, USA
2021
Pearl Lines
Camden Art Centre, London
2020
Pearl Lines
The Modern Institute, Glasgow
Pearl Lines
Greene Naftali, New York, NY, USA
2019
We passed like ships in the night
Aspen Art Museum, Aspen, CO, USA
2018
MoMA PS1
New York, NY, USA
Pearl Lines
Kölnischer Kunstverein, Cologne, Germany
Pearl Lines
The Modern Institute, Glasgow
2016
Pearl Lines
Karma, New York, NY, USA
Pearl Lines
The Modern Institute, Glasgow

Selected Group Exhibitions

2025
MONUMENTS
LAXART/MOCA, Los Angeles, CA, USA (forthcoming)
Domestic (1): A Shaggy Dog
Laurel Gitlen, Brooklyn, NY, USA
A Vanished Wholeness
curated by Simon Grant, Modern Art, Paris, France
2024
This Must Be the Place
curated by Ivy Shapiro, Totah Gallery, New York, NY, USA
David Zwirner: 30 years
David Zwirner, Los Angeles, CA, USA
2023
Astrup Fearnley Museet
Oslo, Norway
Yuen-Yeung
K11 Art Mall, Shanghai, China
Waking Life
Amanita, New York, NY, USA
Drunk vs. Stoned 3
The Ranch, Montauk, NY, USA
Objects of Desire
Museum of Modern Art, New York, NY, USA
Before Tomorrow: Astrup Fearnley Museet 30 Years
Astrup Fearnley, Oslo, Norway
Beautiful, Vivid, Self-contained
curated by David Salle, Hill Art Foundation, New York, NY, USA
Works on Paper: 100 Years
Amanita, New York, NY, USA
Interior
curated by Andrew Bonacina, Michael Werner, London
A Thing for the Mind
Timothy Taylor, London
2022
The Drawing Center Show
curated by Franck Gautherot, Le Consortium, Dijon, France
Black Melancholia
Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, NY, USA
Old and New Dreams: Recent Acquisitions in a Collection
Museum of Contemporary Art, Los Angeles
Playing with Bones
curated by Rosa Joly, La Traverse, Marseille, France
Drawing in the Continuous Present
curated by Rosario Güiraldes, The Drawing Center, New York, NY, USA
More psychology!
Ross + Kramer, New York, NY, USA
Toni Morrison’s Black Book
curated by Hilton Als, David Zwirner, New York, NY, USA
3 going through 9 to get to 27
curated by Zahar Vaks, Galveston Artist Residency, Galveston, TX, USA
2021
Ways of Seeing: Three Takes on the Jack Shear Drawing Collection
curated by Jack Shear, The Drawing Center, New York, NY, USA
Scapes
SLAG Gallery, New York, NY, USA
The Earth, That Is Sufficient
Nicola Vassell Gallery, New York, NY, USA
Greene Naftali East Hampton
East Hampton, New York, NY, USA
10 Years
Halsey McKay Gallery, East Hampton, New York, NY, USA
Citizens of Memory
The Perimeter, London
I Know Where I'm Going Who Can I Be Now
The Modern Institute, Glasgow
K as in knight
Helena Anrather, New York, NY, USA
2020
100 Drawings From Now
organized by Claire Gilman, Rosario Güiraldes, and Laura Hoptman, with Isabella Kapur, The Drawing Center, New York, NY, USA
In/Flux: on influence, inspiration, transmission and transformation
curated by Zahar Vaks in collaboration with Eden Pearlstein and Ayin Press, Ortega y Gasset Projects, Brooklyn, New York, NY, USA
Drawing 2020
Gladstone Gallery, New York, NY, USA
2019
Whitney Biennial
curated by Jane Panetta and Rujeko Hockley, Whitney Museum of American Art, New York, NY, USA
The Practice of Everyday Life
SLAG Gallery, New York, NY, USA
Techniques of the Observer
Greene Naftali, New York, NY, USA
2018
Uptown to Harlem
The Riverview School, Cape Cod, MA, USA
FRONT International: Cleveland Triennial for Contemporary Art
Museum of Contemporary Art, Cleveland, OH, USA
Hog’s Curve
Halsey McKay, East Hampton, New York, NY, USA
OPEN HOUSE: The Modern Institute at Jessica Silverman Gallery
Jessica Silverman Gallery, San Francisco, CA, USA
2017
Fictions
The Studio Museum in Harlem, New York, NY, USA
Hecate
Various Small Fires, Los Angeles, CA, USA
Color People
curated by Rashid Johnson, Rental Gallery, East Hampton, New York, NY, USA
Summerfest
Max Hetzler Gallery, Berlin, Germany
We’ll turn Manhattan into an isle of joy
Markus Lüttgen, Cologne, Germany
Flemming Faloon
Office Baroque, Brussels, Belgium
99 Cents or Less
curated by Jens Hoffmann, Museum of Contemporary Art, Detroit, MI, USA
89plus: Americans 2017
LUMA Foundation, Zürich, Switzerland
Mondialité
curated by Hans Ulrich Obrist and Asad Raza, Boghossian Foundation–Villa Empain, Brussels, Belgium
Zeitgeist
curated by Paul Bernard, Lionel Bovier, and Fabrice Stroun, MAMCO Museé d’art moderne et contemporain, Geneva, Switerland
Drawing Island
The Journal Gallery, New York, NY, USA
2016
Before Sunset
Karma, Amagansett, New York, NY, USA
The Great Figure Part Two
The Journal Gallery, New York, NY, USA
No Free Tax Art Month
247365, New York, NY, USA
Paper Peddling
Marvin Gardens, Queens, New York, NY, USA
Hill of Munch
Rachel Uffner Gallery, New York, NY, USA
When Did Intimacy Begin Width
Jeffrey Stark, New York, NY, USA
2013
Full Spectrum
Harriet Tubman Museum, Macon, Georgia

Public Collections

Aïshti Foundation
Beirut, Lebanon
Astrup Fearnley Museum
Oslo, Norway
Centre Georges Pompidou
Paris, France
Fondation Louis Vuitton
Paris, France
Fondazione Sandretto Re Rebaudengo
Turin, Italy
Gallery of Modern Art
Glasgow
Hammer Museum
Los Angeles, CA, USA
High Museum of Art
Atlanta, GA, USA
Mount Stuart, Isle of Bute Collection
Isle of Bute
Museum of Contemporary Art
Los Angeles, CA, USA
Museum of Modern Art
New York, NY, USA
Rollins Museum of Art
Winter Park, FL, USA
Studio Museum in Harlem
New York, NY, USA
Walker Art Center
Minneapolis, MN, USA
Whitney Museum of American Art
New York, NY, USA
Wonder, 2023
Wonder, 2023 (detail)
Wonder, 2023 (detail)
Races on the sea, 2023
acrylic on canvas, 170.2 × 266.7 cm, 67 × 105 in
1/3
Global Outcry, 2018–2020
acrylic, gresso, and Flashe on canvas, 226.7 x 354.3 cm, 89 1/4 x 139 1/2 in
1/4
Frequent Practice of Unlearning, 2023
acrylic, photo collage, gesso, PVC glue, gouache on wood, 40.6 x 50.8 cm, 16 x 20 in
1/3
The things that horse ourselves for uncertainty, 2018
acrylic, clear gesso, and flashe on canvas, 138.1 x 139.7 cm, 54 3/8 x 55 in
1/2
Bi-Polaroid, 2022
acrylic, gesso, vinyl, pvc glue, clothes pins on wood, 203.2 x 152.4 cm, 80 x 60 in
1/3
Handle with Care #4, 2023
gaffer tape over framed drawing, 83.8 x 64.5 x 4.4 cm, 33 x 25 3/8 x 1 3/4 in
1/4
Purple Haze, 2024
acrylic, gesso, flashe on canvas, 152.4 x 203.2 cm, 60 x 80 in
1/3
Alpha vs beta, 2023
ink, acrylic, gesso, vinyl on wood, 127 x 152.4 cm, 50 x 60 in
1/3
You wouldn't expect something so transparent to block the heat so well, 2018
acrylic and glitter on canvas, 219.1 x 200.7 x 3.2 cm, 86 1/4 x 79 x 1 1/4 in
1/3
Where the Edge Lords Reigned, 2023
acrylic, photo collage, gouache, gesso, PVC glue on wood, 40.6 x 50.8 cm, 16 x 20 in
1/3
t has to rain before you can see where all the leaks are at, 2024
acrylic, gesso, ink, pen, gouache on wood, 91.4 x 91.4 cm, 36 x 36 in
1/3
Before You, It Was Me!, 2024
acrylic and gesso on framed drawing, 67.3 x 86.4 cm, 26 1/2 x 34 in
1/3
Yoga, 2024
graphite, watercolour marker, sharpie, pen on paper, 71 x 56 cm, 28 x 22 in
1/3
Lower Complexity, 2020–2021
ink, gesso, acrylic on wood, 25.4 x 20.3 cm 10 x 8 in
1/3
The trouble is in us, 2021
colour pencil, wax pencil, screen block tape, graphite, acrylic, and PVC glue on board, 102 x 81 cm, 40 1/8 x 31 7/8 in
1/3
Pearl Lines, Walker Art Center, Minneapolis, MN, USA, 2024
Pearl Lines, Walker Art Center, Minneapolis, MN, USA, 2024
Pearl Lines, Walker Art Center, Minneapolis, MN, USA, 2024
Fishing Pole Trap, 2023 (detail)