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Richard Tuttle

Since the outset of a career spanning seven decades, Richard Tuttle has contributed significantly to the expansion of today’s definitions of drawing, painting, and sculpture, which he often combined in contingent, spatially responsive installations. A central proponent of Postminimalism, Tuttle’s work takes as its core tenets; simple geometries and modest materials, questioning the strict exactitude of Minimalism and valuing instead a humble, handmade quality that frees itself from the limits of traditional media and technique. Through his decades of radical experimentation with materials, his work engages with larger philosophical, cosmic and poetic ideas, which have remained foundational motivators in his practice. As well as colour, scale and line are elements that Tuttle has returned to throughout his oeuvre, which engage directly with the surrounding architecture, subtly sensitising the viewer to the often-unconscious processes, feelings and perceptions inherent in seeing, moving, and thinking from moment to moment. On the subject of his work he remarks, “I am placing in a world that is mostly concerned with recognition, a thing whose primary involvement is perception.” Tuttle’s activities also encompass installation, printmaking, bookmaking, poetry, and design.

Richard Tuttle was born in 1941 in Rahway, New Jersey. He lives and works in New York and Abiquiú, New Mexico. At the age of 23, he joined Betty Parsons Gallery as an assistant. He mounted his first exhibition there the following year, in 1965. His work was soon included in redefining exhibitions, among them When Attitudes Become Form (1969), Anti-Illusion: Procedures/Materials (1969); and documenta 5 (1972). The controversy surrounding his radical 1975 solo show at the Whitney Museum of American Art saw the dismissal of its prescient curator, Marcia Tucker (who went on to found the New Museum, New York). A travelling retrospective, The Art of Richard Tuttle, was organised by SFMOMA in 2005 and mounted at venues including the Whitney, Des Moines Art Center, Dallas Museum of Art, Museum of Contemporary Art, Chicago, Museum of Contemporary, Los Angeles. In 2014, Tuttle was commissioned to create a new installation for the Turbine Hall at Tate Modern, which coincided with a solo exhibition at the Whitechapel Gallery, London.

His expansive practice has been the subject of recent solo exhibitions at Bard Graduate Center, New York (2022); Modern Art, London (2020); M WOODS, Beijing (2019); The Phillips Collection, Washington, D.C. (2018); Mu.ZEE, Ostend (2017); The Metropolitan Museum of Art, New York (2016); and Kunstmuseum Winterthur (2016). Tuttle’s work is held in collections including Centre Pompidou, Paris; Louisiana Museum of Modern Art, Humlebæk; Museum Ludwig, Cologne; MoMA, New York; the Stedelijk Museum, Amsterdam; Des Moines Art Center, Iowa; Serralves Museum, Porto; Kunstmuseum Winterthur, Winterthur; Moderna Museet, Stockholm; Museum of Modern Art, New York; Museum Brandhorst, Munich; Ludwig Museum, Cologne; SMAK, Ghent; Whitney Museum of American Art; TATE Gallery, London; and the Walker Art Center, Minneapolis.

Press
Biography
The Art of Richard Tuttle, Whitney Museum of American Art, 2005
The Critical Edge III, 2015
fabric, wood, nails, hand-sewn brown thread; five black MDF panels and five fabric elements, 99.4 x 458.5 x 17.1 cm, 39 1/8 x 180 1/2 x 6 3/4 in
1/4
20 Pearls (A), 2003
acrylic and graphite on archival foamcore board and museum board, 46 x 41.9 x 1.9 cm, 18 1/8 x 16 1/2 x 3/4 in
Compartmentalization, 2008
acrylic paint, acrylic yarn, aluminum metallic tape, archival mat board, balsa wood, bass wood, birch plywood, canvas, cardboard, glue, graphite, metal, metal wire, mohair, nails, oil paint, oil pastel, paper, papier-mâché, pine wood, plastic, sawdust, silicon, staples, steel wool, straight pins, styrofoam, thread, twigs, velvet, wire mesh, 54.6 x 255.3 x 15.9 cm, 21 1/2 x 100 1/2 x 6 1/4 in
1/3
Section VII, Extension O, 2007
wood, acrylic paint, screen fabric, cardboard, hammered aluminium armature wire, screws, 18.4 x 8.9 x 12.1 cm, 7 1/4 x 3 1/2 x 4 3/4 in
Light and Color, 2011
acrylic, mahogany luan, nails, graphite line, overall: 23 x 203 x 5 cm, 9 1/8 x 79 7/8 x 1 3/4 in
1/5
Brother, 2019
3/4" birch plywood, nail, paper, graphite, paint, beeswax, aluminium wire, 32.4 x 30.5 x 30.5 cm, 12 3/4 x 12 x 12 in
1/2
I Have Seen You A Lot, 2019
3/4" birch plywood, nail, paint, paper, graphite, wire, paper, spray paint, and hot glue, 32.4 x 30.5 x 30.5 cm, 12 3/4 x 12 x 12 in
1/2
Text Image 14, 2023
acrylic on foam board and paper, 44 x 42 x 2.5 cm, 17 3/8 x 16 1/2 x 1 in
1/4
Bonn, 1989
acrylic, watercolour and gouache on museum board, 33 x 31.8 x 3.2 cm, 13 x 12 1/2 x 1 1/4 in
1/2
Walking on Air, C2, 2009
cotton with Rit dyes, grommets, thread, 2 panels, overall: 58.4 x 317.5 cm, 23 x 125 in
1/2
Surface, c. 1970
furring strips, nails, hot glue, 7 x 17.1 x 3.8 cm, 2 3/4 x 6 3/4 x 1 1/2 in
1/2
Night, c. 1970
viridian on homasote, 5.1 x 1.3 x 1.3 cm, 2 1/8 x 1/2 x 1/2 in
1/2
Shelf, c. 1970
acrylic on rough-cut fir fencing, nails, 3.8 x 46.4 x 1.3 cm, 1 1/2 x 18 1/4 x 1/2 in
1/2
Perceived Obstacle No. 46 (Twelve One Group #7), 1991
aluminium, cardboard and paint, graphite wall drawing, 36.2 x 91.4 cm 14 1/4 x 36 in
Work, c. 1970
birch dowel, acrylic paint, nail, diameter: 5.1 x 1.9 cm, 2 x 3/4 in
1/2
Set III, 27,, 2015-16
acrylic, foil and nails, panel and polystyrene, 93.9 x 78.7 x 2 cm, 37 x 31 x 3/4 in
1st Paper Octagonal, 1970
paper and starch paste, diameter: 137.2 cm, 54 in
1/2
Releasing: Biologically Poor Endings, XII, 2016
cold-pressed watercolour paper, powdered pigments, canvas, and nails, 62.2 x 76.8 x 3.8 cm, 24 1/2 x 30 1/4 x 1 1/2 in
1/3
Triangles, 1997
acrylic on aspenite, 43.8 x 50.5 x 0.6 cm, 17 1/4 x 19 7/8 x 1/4 in
1/2
Air, 1973
heavy wire, 71.1 x 50.8 x 53.3 cm, 28 x 20 x 21 in
Story VII, 2020
plywood, spray paint, pine, 84 x 74 x 5 cm, 33 1/8 x 29 1/8 x 2 in
1/3
Boys, Let's Be Bad Boys (16), 1998
corrugated cardboard and glue, 37.5 x 20.3 x 8.3 cm, 14.8 x 8 x 3.3 in
Releasing: Biologically Poor Endings, VI, 2016
quarter-inch birch plywood, aluminium flashing, canvas, graphite, acrylic, spray paint, and nails, 86.4 x 86.4 x 15.9 cm, 34 1/8 x 34 1/8 x 6 1/4 in
1/3
Tractatus, 1973
I Don’t Know . The Weave of Textile Language, Tate Modern, 2015

Press

Brooklyn Rail5 January 2023
Frieze2 January 2023
New York Times3 January 2022
Brooklyn Rail10 January 2021
Frieze1 January 2015
Art in America10 January 2014
Financial Times27 September 2014
Art Monthly12 January 2014
Apollo6 January 2014
Art Review9 January 2009
W Magazine6 January 2005

Biography

Richard Tuttle

Born in Rahway, NJ, USA, 1941 Lives and works in New York, NY, USA

Education

1963
BA Trinity College
Hartford, CT, USA

Solo Exhibitions

2023
Process of Remembering
Galerie Christian Lethert, Cologne, Germany
My Best
Galerie Lelong & Co., Paris, France
18 x 24
Modern Art, London
18 x 24
Pace Gallery, New York, NY, USA
Village V
Modern Art, London
2022
Particles
Pace Gallery, New York, NY, USA
Richard Tuttle: What is the Object?Bard Graduate Center, New York, NY, USA
2020
TheStars
Modern Art, London
2019
Days, Muses and Stars
Pace Gallery, New York, NY, USA
Basis, 70s Drawings
Pace Gallery, New York, NY, USA
Double Corners and Colored Wood
Pace Gallery, Beijing, China
2018
For Ourselves As Well As For Others
Pace Gallery, Geneva, Switzerland
8, or Hachi
Tomio Koyama Gallery, Tokyo, Japan
It Seems Like It’s Going To BeThe Phillips Collection, Washington, D.C., USA
Thoughts of Trees
Pace Gallery, Seoul, South Korea
2017
Light and ColourMu.ZEE, Oostende, Belgium
The Critical Edge
Pace Gallery, London
My Birthday Puzzle
Modern Art, London
De Hallen Haarlem
Haarlem, Netherlands
2016
al Cielo de Noche de Lima / to The Night Sky of Lima
Proyecto AMIL, Lima, Peru and Museo de Arte de Lima (MALI), Lima, Peru
26
Pace Gallery, New York, NY, USA
Critical EdgeThe Metropolitan Museum of Art, New York, NY, USA
Καλλίρροος kallirroos schön-fliessend
Kunstmuseum Winterthur, Winterthur, Switzerland
The Inevitable Husband
Gemini, G.E.L., Los Angeles, CA, USA
A Print RetrospectiveOklahoma State University Museum of Art, Stillwater, OK, USA
2015
Drawing Groups
Annemarie Verna Gallery, Zurich, Switzerland
Separation
Modern Art, London
Both/And Richard Tuttle Print and ClothFabric Workshop and Museum, Philadelphia, PA, USA
Wire Pieces
Pulitzer Arts Foundation, St. Louis, MO, USA
2014
A room within the collection and a drawing cabinet
Kunstmuseum Winterthur, Winterthur, Switzerland
Hauser & Wirth
Somerset
I Don’t Know or The Weave of Textile LanguageTurbine Hall, Tate Modern, London and Whitechapel Gallery, London. Travelled to: The Fabric Workshop and Museum, Philadelphia, PA, USA
A Print RetrospectiveBowdoin College Museum of Art, Brunswick, ME, USA
1, 2, 3
Galleri Nicolai Wallner, Copenhagen, Denmark
Looking for the Map
Pace Gallery, New York, NY, USA
Matter
Marian Goodman, Paris, France
Walking in Air: An Exhibition by Richard Tuttle
TAI Gallery, Santa Fe, NM, USA
The Thrill of the Ideal: Richard Tuttle; The Reinhart Project
Pocket Utopia, New York, NY, USA
The Place in the Window
Tomio Koyama Gallery, Kyoto, Japan
2012
Slide
Bergen Kunsthall, Bergen, Norway
Hello The Roses, with Mei-mei Berssenbrugge
Kunstverein Munich, Germany
Werke aus Münchner Privatsammlungen
Pinakothek der Moderne, Munich, Germany
Systems, VIII–XII
Pace Gallery, New York, USA
Paper
Annemarie Verna Gallery, Zurich, Switzerland
2011
Light and Colour
Modern Art, London
What’s the Wind
Pace Gallery, New York, NY, USA
2010
Triumphs
Dublin City Gallery, The Hugh Lane, Dublin, Ireland
A Drawing Retrospective
Annemarie Verna, Zurich, Switzerland
New Works
Galleri Nicolai Wallner, Copenhagen, Denmark
“Village V”, 2004
Sperone Westwater, New York, NY, USA
Metal Shoes
Dunn and Brown Contemporary, Dallas, TX, USA
Metal Shoes
Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA
Seeing Intimacy: Richard Tuttle on Paper
Craig F. Starr Gallery, New York, NY, USA
2009
Renaissance Unframed 1-26
Carolina Nitsch Project Room, New York, NY, USA
L’nger than Life
Modern Art, London
Walking on Air
PaceWildenstein, New York, NY, USA
2008
Craft
Annemarie Verna Gallery, Zurich, Switzerland
The Use of Time
Kunsthaus Zug, Switzerland
2007
Memory Comes From Dark Extension
Sperone Westwater, New York, NY, USA
Tomio Koyama Gallery
Tokyo, Japan
5 x 5 x 5
Galleri Nicolai Wallner, Copenhagen, Denmark
2006
Half-Light Alphabet
Galerie Ulrike Schmela, Düsseldorf, Germany and Galerie Lena Bruning, Berlin, Germany
The Kreutzer Sonata: Historical Work by Richard Tuttle
Nyehaus and Zwirner & Wirth, New York, NY, USA
Reflection: In the Pool
Sperone Westwater, New York, NY, USA
Unfold
FRAC, Auvergne, France, travelled to: Domaine de Kerguehennec, Bignan, France, Haute Normandie, Sotteville les Rouen, France
Talks, Looks, Walks—Three Windows
Annemarie Verna Galerie, Zurich, Switzerland
Jürgen Becker
Hamburg, Germany
2005
The Art of Richard TuttleSan Francisco Museum of Modern Art, CA, USA; travelled to: Whitney Museum of American Art, New York, NY; Des Moines Art Center, Des Moines, IW; Dallas Museum of Art, Dallas, TX; Museum of Contemporary Art, Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, CA
Prints 1973–2005
Brooke Alexander, New York, NY, USA
Constructed Relief Paintings, 1964–65
Peter Freeman, Inc., New York, NY, USA
Lonesome Cowboy
Griffin Contemporary, Santa Monica, CA, USA
Anthony Meier Fine Arts
San Francisco, CA, USA
Wire Pieces
CAPC Musée d’art contemporain, Bordeaux, France
2004
It’s a Room for 3 PeopleDrawing Center, New York, NY, USA; travelled to: Aspen Art Museum, Aspen CO
Dogs in a Hurry
De Kanselarij (organised by Foundation VHDG), Leewarden, Netherlands
Neue Arbeiten
Galerie Schmela, Düsseldorf, Germany
Type
Crown Point Press, San Francisco, CA, USA
2003
Twenty Pearls
Sperone Westwater, New York, NY, USA
Costume
Crown Point Press, San Francisco, CA, USA
Celebration
Annemarie Verna Galerie, Zurich, Switzerland
2002
Tomio Koyama Gallery
Tokyo, Japan
When We Were at Home
Galerie Schmela, Düsseldorf, Germany
cENTER
Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
Memento
Museu Serralves de Arte Contemporánea, Porto, Portugal
Dwight Hackett Projects
Santa Fe, NM, USA
2001
In Parts, 1998–2001Institute of Contemporary Art, University of Pennsylvania, PA, USA
Anthony Meier Fine Arts
San Francisco, CA, USA
Galerie Yvon Lambert
Paris, France
New Books and Portfolios
Annemarie Verna Galerie, Zurich, Switzerland
Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection
Kabinet Overholland, Stedelijk Museum, Amsterdam, Netherlands
2000
Two With Any To
Sperone Westwater, New York, NY, USA
A/D
New York, NY, USA
White Sails
Annemarie Verna Galerie, Zurich, Switzerland
Richard Tuttle, 1981–1999
Galerie Meert Rihoux, Brussels, Belgium
Reservations
BAWAG Foundation, Vienna, Austria
1999
Projekt Sammlung: Richard Tuttle: Replace the Abstract Picture Plane (1996–1999)
Kunsthaus Zug, Switzerland
Mandevilla—Aquatints from Crown Point Press
Greg Kucera Gallery, Seattle, WA, USA
New Work
Galleria Marilena Bonomo, Bari, Italy
Community
Arts Club of Chicago, IL, USA
70s Drawings
Jürgen Becker, Hamburg, Germany
The Dust When You Come Over the Hill (Morocco)
Rhona Hoffman Gallery, Chicago, IL, USA
Galleria Cardi
Milan, Italy
Once Voice in Four Parts
Cencebaugh Contemporary, New York, NY, USA
1998
Replace the Abstract Picture Plane, Books and New Works
The Kamm Collection of the Kunsthaus, A Selection by the Artist, Kunsthaus Zug, Switzerland
Die Konjunktion der Farbe
Ludwig Forum für Internationale Kunst, Aachen, Germany
New Mexico, New York
Sperone Westwater, New York, NY, USA
The Thinking Cap
Fabric Workshop and Museum, Philadelphia, PA, USA
Chandeliers
A/D, New York, NY, USA
Small Sculptures of the 70s
Annemarie Verna Galerie, Zurich, Switzerland
New Etchings
Crown Point Press, San Francisco, CA, USA
Church of Saint Paulinus
Brough Park, Catterick (in collaboration with the Henry Moore Sculpture Trust)
1997
Brooke Alexander
New York, NY, USA
California State Long Beach Art Museum
Long Beach, CA, USA
Projekt Sammlung: Richard Tuttle, Replace the Abstract Picture Plane, Works 1964–1996
Kunsthaus Zug, Switzerland
Symbol
Galerie Limmer, Cologne, Germany
New and Early Work
Art Gallery of York University, North York, Ontario, Canada
1996
Books and Prints
Widener Gallery, Trinity College, Hartford, CT, USA; travelled to: New York Public Library, New York, NY
Source of Imagery
Galleria Bonomo, Rome, Italy, Travelled to: Galleria Marilena Bonomo, Bari, Italy
Galerie Volker Diehl
Berlin, Germany
Mies van der Rohe Haus
Berlin, Germany
Grey Walls WorkCamden Arts Centre, London; travelled to: Douglas Hyde Garden, Dublin, Ireland; Inverleith House, Royal Botanic Garden, Edinburgh
Galleria Eva Menzio
Turin, Italy
A Chair, a Table, a Book: Richard Tuttle
Brian Kish Office for Architecture & Art, New York, NY, USA
Renaissance Unframed 1–26
Contemporary Art Museum, University of South Florida, Tampa, FL, USA; travelled to: University Art Museum, California State University, Long Beach, CA
Replace the Abstract Picture Plane
Kunsthaus Zug, Switzerland
Gold and Silver on Easy Pieces
Galerie Yvon Lambert, Paris, France
New and Early Work
Sperone Westwater, New York, NY, USA
1995
Lampen, Sotel
Carin Delcourt van Krimpen, Amsterdam, Netherlands
Mary Boone Gallery
New York, NY, USA
Verbal Windows
Galleria Marilena Bonomo, Bari, Italy
North/South Axis
Museum of Fine Arts, Santa Fe, NM, USA
Anders Tornberg Gallery
Lund, Sweden
Neue Arbeiten
Galerie Fahnemann, Berlin, Germany
Selected Works, 1964–1994
Sezon Museum of Art, Tokyo, Japan
Time/Line
Daniel Weinberg Gallery, San Francisco, CA, USA
Europe Wired, 1–10, 1994, and Mesa Pieces, 1995
Kohn Turner Gallery, Los Angeles, CA, USA
Source of Imagery
Rhona Hoffman Gallery, Chicago, IL, USA
1994
Discontinuous Space
Burnett Miller Gallery, Santa Monica, CA, USA
Texas Gallery
Houston, TX, USA
Le Temps Retrouvé
Galerie Yvon Lambert, Paris, France
Prints and Related Works
Brooke Alexander Editions, New York, NY, USA
Galerie Jürgen Becker
Hamburg, Germany
Second Floor Exhibition Space
Reykjavik, Iceland
Galerie Meert Rihoux
Brussels, Belgium
Annemarie Verna Gallery
Zurich, Switzerland
A Lamp, a Chair, a Chandelier: A Work in Process
A/D, New York, NY, USA
1993
Matrix: Richard Tuttle, Space/Sculpture
University Art Museum, University of California, Berkeley, CA, USA
Small…edition!
Wassermann Galerie, Munich, Germany
Arbeiten auf Papier
Galerie Karsten Greve, Cologne, Germany
Chaos, the Form
Staatliche Kunsthalle Baden-Baden, Germany
Galleria Marilena Bonomo
Bari, Italy
Crown Point Press
San Francisco, CA, USA
Drawing Works
Jack Tilton Gallery, New York, NY, USA
Mary Boone Gallery
New York, NY, USA
1992
Oxyderood / Red Oxide
Museum Boymans-van Beuningen, Rotterdam, Netherlands
Studio la Cittá 2
Verona, Italy
New Work
Annemarie Verna Gallery, Zurich, Switzerland
Galerie Yvon Lambert
Paris, France
Mary Boone Gallery
New York, NY, USA
Early Drawings
Lawrence Markey Gallery, New York, NY, USA
New Work
Laura Carpenter Fine Arts, Santa Fe, NM, USA
1991
New Works
Victoria Miro Gallery, London
Richard Tuttle
Institute of Contemporary Art, Amsterdam, Netherlands; travelled to: Kunstmuseum Winterthur, Switzerland as Richard Tuttle: Time to Do Everything—Floor Drawings and Recent Work; and Institut Valencià d’Art Modern, Spain; Indianapolis Museum of Art, IN, USA; Museum of Fine Arts, Santa Fe, NM, USA, as The Poetry of Form: Richard Tuttle, Drawings from the Vogel Collection
Rhona Hoffman Gallery
Chicago, IL, USA
Crickets
Sala d’exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, Spain
Sculptures et aquarelles
Galerie Pierre Hubert, Geneva, Switzerland
Galerie Weber
Alexander, y Cobo, Madrid, Spain
Oboes and Clarinets
Feuerle, Cologne, Germany
1990
Inside the Still Pure Form
Blum Helman Gallery, New York, NY, USA
Octavio for Annemarie
Annemarie Verna Galerie, Zurich, Switzerland
Slats 1974
Lawrence Markey Gallery, New York, NY, USA
Einleitung
Galeria Schmela, Düsseldorf, Germany
70s Drawings
Brooke Alexander, New York, NY, USA
Yvon Lambert
Paris, France
New Mexico Silver / Firenze Gold
Galleria Victoria Miro, Florence, Italy, Travelled to: Galerie Hubert Winter, Vienna, Austria
In Memory of Writing
Sprengel Museum Hannover, Germany
The Nature of the Gun: Richard Tuttle
A/D, New York, NY, USA
1989
The Point from the Corner of the Room
1973–74, Galerie Hubert Winter, Vienna, Austria
Vienna Gotico
Galeria Alessandra Bonomo, Rome
Lonesome Cowboy Styrofoam
Gallery Casa sin Nombre, Santa Fe, NM
1988
Space in Finland
Galerie Schmela, Düsseldorf, Germany
Portland Works
Galerie Karsten Greve, Cologne, Germany, Travelled to: Thomas Segal Gallery, Boston, MA, USA
Galerie Meert Rihoux
Brussels, Belgium
Richard Tuttle Installations: Early Works
Blum Helman Gallery, New York, NY, USA
XX Blocks
Galleria Marilena Bonomo, Bari, Italy
There’s No Reason a Good Man is Hard to Find
Blum Helman Warehouse, New York, NY, USA
5 Pieces Richard Tuttle 1987
Annemarie Verna, Zurich, Switzerland
1987
New Work
Blum Helman Gallery, Los Angeles, CA, USA
New Work
Annemarie Verna Galerie, Zurich
The Baroque and Color / Das Barocke und die Farbe
Neue Galerie am Landesmuseum Joanneum, Graz, Austria
Nimes au printemps
Galerie des Arènes, Nîmes, France
Early & Recent Works
Anders Tornberg Gallery, Lund, Sweden
Victoria Miro Gallery
London
1986
Painted Sculpture
Blum Helman Gallery, New York, NY, USA
I See in France
ARC Musée d’art moderne de la ville de Paris, France
New Work
Victoria Miro Gallery, London
Galerie Onnasch
Berlin, Germany
Locus Solus IV: Richard Tuttle
Galerie Hubert Winter, Vienna, Austria
Wire Pieces
CAPC Musée d’art contemporain, Bordeaux, France
1985
Works 1964–84
Institute of Contemporary Arts, London, Travelled to: Fruitmarket Gallery, Edinburgh
Vienna Works, Indonesian Works, Monkey’s Recovery for a Darkened Room
Galerie Schmela, Düsseldorf, Germany
Neve / Snow
Galleria Marilena Bonomo, Bari, Italy
Galleria Toselli
Milan, Italy
Städtisches Museum Abteiberg
Mönchengladbach, Germany
Galerie Yvon Lambert
Paris, France
1984
Studio La Città
Verona, Italy
Galerie Yvon Lambert
Paris, France
Wandobjekte
Galerie Schmela, Düsseldorf, Germany
16 Works from India 1980
Galleriet, Lund, Sweden
Galleria Ugo Ferranti
Rome, Italy
1985
Recent Work
Daniel Weinberg Gallery, Los Angeles, CA, USA
1984
Annemarie Verna Galerie
Zurich, Switzerland
Engineer
Portland Center for the Visual Arts, Portland, OR, USA
New Sculpture
Blum Helman Gallery, New York, NY, USA
1983
Zeichnungen 1968–1974
Städtisches Museum Abteiberg, Mönchengladbach, Germany
Taidemariliiton Galleria
Helsinki, Finland
Galleria Ugo Ferranti
Rome, Italy
Recent Sculpture
Blum Helman, New York, NY, USA
Galerie Hubert Winter
Vienna, Austria
1982
Pairs
Musée de Calais, France
Nigel Greenwood Gallery
London
Gallerie Ugo Ferranti
Rome, Italy
Betty Parsons Gallery
New York, NY, USA
1981
Annemarie Verna Galerie
Zurich, Switzerland
Galerie Yvon Lambert
Paris, France
Gallerie Ugo Ferranti
Rome, Italy
Galerie Baronian-Lambert
Ghent, Belgium
1980
Pairs 1973
Centre d’art contemporain, Geneva, Switzerland
12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980
Museum Haus Lange, Krefeld, Germany
From 210 Collage-Drawings
Georgia State University Art Gallery, Atlanta, GA, USA. Travelled to: Baxter Art Gallery, California Institute of Technology, Pasadena, CA, USA
1979
Dallas Exercises
Gallerie Ugo Ferranti, Rome, Italy
Title 1–6, Title I–IV, Title A–N, Title I1–I6, Titre 1–8, Titolo 1–8
Stedelijk Museum, Amsterdam, Netherlands
Annemarie Verna Galerie
Zurich, Switzerland
48 1⁄2” Center-Point Works
Brooke Alexander, New York, NY, USA
Presentation of the Book: List of Drawing Material of Richard Tuttle and Appendices
G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich
Yale Pieces, 6” x 4” Notebook
Truman Gallery, New York, NY, USA
An Exhibition of the Works of Richard Tuttle
College of Creative Studies, University of California, Santa Barbara, CA, USA
19799
Galleria Marilena Bonomo
Spoleto, Italy
1979
CAPC Centre d’Arts Plastiques Contemporaine
Bordeaux, France
1978
New Work at Betty Parsons Gallery
Betty Parsons Gallery, New York, NY, USA
New York
Young Hoffman Gallery, Chicago, IL, USA
An Exhibition of the Work of Richard Tuttle
College of Creative Studies, University of California, Santa Barbara, CA, USA
David Winton Bell Gallery
Brown University, Providence, RI, USA
Sticks
Françoise Lambert, Milan, Italy
Museum Van Hedendaagse Kunst
Ghent, Belgium
Daniel Weinberg Gallery
San Francisco, CA, USA
Galerie Yvon Lambert
Paris, France
Drawings
Jean Marie Antone Gallery, Annapolis, MD, USA
Zeichnungen
Galerie Schmela, Düsseldorf, Germany
Galleria Ugo Ferranti
Rome, Italy
1977
Gesamte Grafiken, Ilustrierte Bücher
Galerie Thomas Borgmann, Cologne, Germany
Hopkins Hall Gallery
Ohio State University, Columbus, OH, USA
Undici carte de Richard Tuttle
Galleria Marilena Bonomo, Bari, Italy
Galleria Ugo Ferranti
Rome, Italy
New York, Zeichnungen und Aquarelle, 1968–1976
Kunsthalle Basel, Switzerland
Zwei mit Zwei / Two with Any Two
Kunstraum München, Munich, Germany
Die Gesamte Druckgraphik und alle Bücher
Galerie Heiner Friedrich, Munich, Germany
Maine Works, Two with Any Two
Nigel Greenwood Inc. Ltd., London
1976
McIntosh Gallery
University of Western Ontario, London, Ontario, Canada
Books and Prints, 1964-1976
Brooke Alexander, New York, NY, USA
North West Artist workshop
Portland, OR, USA
2 Days
Galerie Yvon Lambert, Paris, France
Northwest Artists Workshop
Portland, OR, USA
The Cincinnati Pieces
Julian Pretto, New York, NY, USA
Graeme Murray Gallery
Edinburgh, Scotland
Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk
Galerie Swart, Amsterdam, Netherlands
1975
Whitney Museum of American Art
New York, NY, USA. Travelled to: Otis Art Institute Gallery of Los Angeles County, CA, USA
D’Alessandro-Ferranti
Rome, Italy
Thirteen Spiral Drawings by Richard Tuttle
Parsons-Truman Gallery, New York, NY, USA
Matrix 10: Richard Tuttle
Wadsworth Atheneum, Hartford, CT, USA
“Paper Strips”
Barbara Cusack Gallery, Houston, TX, USA
1974
Forty October Drawings + Interlude
Nigel Greenwood Inc. Ltd, London
New Work: Richard Tuttle
Betty Parsons Gallery, New York, NY, USA
New Works: Richard Tuttle
Galleria Toselli, Milan, Italy
Galleria Marilena Bonomo
Bari, Italy
Annemarie Verna Galerie
Zurich, Switzerland
Galerie Yvon Lambert
Paris, France
Artpark
Lewiston State Park, Lewiston, New York, NY, USA
A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery
Barbara Cusack Gallery, Houston, TX, USA
1973
Clocktower Gallery
Institute for Art and Urban Resources, New York, NY, USA
Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall
Kunstraum München, Munich, Germany
Galerie Heiner Friedrich
Munich, Germany
Ten Kinds of Memory and Memory Itself
Daniel Weinberg Gallery, San Francisco, CA, USA
Drawings: Richard Tuttle
Galleria Françoise Lambert, Milan, Italy
1972
Richard Tuttle Will Show New
Betty Parsons Gallery, New York, NY, USA
Projects: Richard Tuttle and David Novros, with David NovrosThe Museum of Modern Art, New York, NY, USA
Drahtstucke 1971–1972
Galerie Rudolf Zwirner, Cologne, Germany
New Work by Richard Tuttle
Galerie Yvon Lambert, Paris, France
1971
Dallas Museum of Fine Arts
Dallas, TX, USA
Helman Gallery
St. Louis, MO, USA
1970
New Work by Richard Tuttle
Betty Parsons Gallery, New York, NY, USA
Neue Arbeiten von Richard Tuttle
Galerie Rudolf Zwirner, Cologne, Germany
Member’s Gallery
Albright-Knox Art Gallery, Buffalo, NY, USA
1969
Nicholas Wilder Gallery
New York, NY, USA
1968
Galerie Schmela
Düsseldorf, Germany
Ten Works by Richard Tuttle
Betty Parsons Gallery, New York, NY, USA
1967
Betty Parsons Gallery
New York, NY, USA
1965
Constructed Paintings
Betty Parsons Gallery, New York, NY, USA

Selected Group Exhibitions

2023
Calder/Tuttle: Tentative
David Kordansky Gallery, Los Angeles, CA, USA
2022
Richard Tuttle & Choong Sup Lim: How Objects Grasp Their Magic
Pace Gallery, Seoul, South Korea
2021
Little Things: Parts I & II
Pace Gallery, Geneva, Switzerland
A room with a…
Pace Gallery, Palm Beach, FL, USA
WOOD WORKS: Raw, Cut, Carved, Covered
Sperone Westwater, New York, NY, USA
2019
Untitled
Peter Freeman, Inc., New York, NY, USA
2018
The Thick Lines Between Here and There
Owen James Gallery, New York, NY, USA
Hiding in Plain Sight
FreedmanArt, New York, NY, USA
Wiggle
Galerie Greta Meert, Brussels, Belgium
Painting amongst other things…Drill Hall Gallery, Australian National University, Canberra, Australia
40 + 10 + 1
Jahn und Jahn, Munich, Germany
Phantom LIMTorrance Art Museum, Torrance, CA, USA
Summer Exhibition
Modern Art, London
Picasso – Gorky – WarholKunsthalle Krems, Krems an der Donau, Austria
The Myriad Forms of Visual Art: 196 Works with 19 ThemesThe National Museum of Art, Osaka, Japan
Selected Works
Annemarie Verna Galerie, Zürich, Switzerland
In Tribute to Jack Tilton: A Selection from 35 Years
Tilton Gallery, New York, NY, USA
Warp & Weft: A History of Fabric at Gemini G.E.L.
Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA
2017
Agnes Martin, Richard Tuttle: Crossing Lines
Pace Gallery, New York, NY, USA
Summer Days (and Summer Nights)
Pace Gallery, New York, NY, USA
Richard Tuttle, James Ensor’s ‘real’ color
Kunstmuseum aan zee, Ostend, Belgium
Multiple Impressions
Talley Dunn Gallery, Dallas, TX, USA
Summer Choices
Crown Point Press, San Francisco, CA, USA
Why Draw? 500 Years of Drawings and WatercolorsBowdoin College Museum of Art, Brunswick, ME, USA
Minimal Art from the Marzona Collection
Galerie Thaddaeus Ropac, London
Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration
A. Afred Taubman Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA
2016
Thinking TantraDrawing Room, London
Drawing Then: Innovation and Influence in American Drawings of the Sixties
Dominique Lévy, New York, NY, USA
Pure Pulp: Contemporary Artists Working in Paper at Dieu DonnéRuth and Elmer Wellin Museum of Art, Clinton, NY, USA
Rhona Hoffman 40 Years
Rhona Hoffman Gallery, Chicago, IL, USA
I Still Believe in Miracles: Celebrating 30 Years of Inverleith House
Inverleith House, Edinburgh
Shapeshifters
Luhring Augustine, New York, NY, USA
Theories of Modern Art
Modern Art, London
2015
Objects and Bodies at Rest and in MotionModerna Museet, Malmö, Sweden. Travelled to: Moderna Museet, Stockholm, Sweden
Drawing Redefined
deCordova Sculpture Park and Museum, Lincoln, MA, USA
Essential – The Line
Annemarie Verna Galerie, Zurich, Switzerland
Drawings and Prints, Selections from the Permanent CollectionThe Metropolitan Museum of Art, New York, NY, USA
Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses‘T’ Space, Rhinebeck, New York, NY, USA
Summer Group Show
Pace Gallery, New York, NY, USA
Space and Matter
Sperone Westwater, New York, NY, USA
Presque Rien
Galerie Marian Goodman, Paris, France
Selections from The Kramarsky Collection
David Zwirner, New York, NY, USA
America is Hard to SeeWhitney Museum of American Art, New York, NY, USA
Geometries On and Off the Grid: Art from 1950 to the Present
The Warehouse, Dallas, TX, USA
Berman, Tuttle, Vollmer
Jack Tilton Gallery, New York, NY, USA
2014
Line: The Maker’s MarkMuseum of Fine Arts Houston, Houston, TX, USA
De Zee – salut d’honneur Jan Hoet
Mu. ZEE, Ostend, Belgium
In the Round
Pace Gallery, 32 East 57th Street, New York, NY, USA
Purple States & Cafe Dancer Pop-up
Andrew Edlin Gallery, New York, NY, USA
The Annual 2014: Redefining TraditionNational Academy Museum, New York, NY, USA
2015
Summer exhibition
Annemarie Verna Galerie, Zurich, Switzerland
2014
The Shaped Canvas, Revisited
Luxembourg & Dayan, New York, NY, USA
From Picasso to Sol LeWitt: The Artist’s Book since 1950
Museum Meermanno, The Hague, Netherlands
Carte Blanche
Pace at Chesa Büsin, Zuoz, Switzerland
Dorothy and Herb Vogel: On Drawing
Fleming Museum of Art, The University of Vermont, Burlington, VT, USA
The Age of Small Things
Dodge Gallery, New York, NY, USA
Universal Limited Art Editions: Books
Hiram Butler Gallery, Houston, TX, USA
2013
40 Years at the Daniel Weinberg Gallery
Ambach & Rice, Los Angeles, CA, USA
Gli anni settanta. Arte a Roma
Palazzo delle Esposizioni, Rome, Italy
Modern Drawings: Selections from the Howard Karshan Collection
The Morgan Museum & Library, New York, NY, USA
Re-View: Onnasch Collection
Hauser & Wirth, London
Word & Work
Galerie Nächst St. Stephan, Vienna, Austria
Image and Abstraction
Pace Gallery, 510 West 25th Street, New York, NY, USA
Rahway’s Own
Rahway Arts District, NJ, USA
When Attitudes Become Form: Bern 1969/Venice 2013
Ca’ Corner della Regina, Fondazione Prada, Venice, Italy
Exhibition of Newly Elected Members and Recipients of Honors and Awards
American Academy of Arts and Letters, New York, NY, USA
2012
Summer Group Show 2012
Pace Gallery, New York, NY, USA
Lines of ThoughtParasol Unit, London
2011
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA
Drawn / Taped / Burned: Abstraction on Paper
The Katonah Museum of Art, Katonah, NY, USA
2012
2011
Paper A–Z
Sue Scott Gallery, New York, NY, USA
2010
25th Anniversary Show: 1985–2010
Michael Kohn Gallery, Los Angeles, CA, USA
On-Line: Drawing through the Twentieth CenturyMuseum of Modern Art, New York, NY, USA
Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection
Albright-Knox Art Gallery, Buffalo, NY, USA
\ (LEAN)
Nicole Klagsbrun Gallery, New York, NY, USA
1968
Locks Gallery, Philadelphia, PA, USA
Grass Grows By Itself
Marlborough Gallery, New York, NY, USA
Thrice Upon A Time
Magasin 3, Stockholm Konsthall, Stockholm, Sweden
50 Years at Pace
Pace Gallery, 545 West 22nd Street, New York, USA
Artpark: 1974–1984
University at Buffalo Art Gallery, Center for the Arts, Buffalo, NY, USA
Love in Vein: Editions Fawbush projects & artists 2005–2010
Gering and López Gallery, New York, NY, USA
2009
If We Could Imagine
Glenstone Foundation, Potomac, MD, USA
Sans-Titre #1: Peintures des années 1970–1980
OEuvres de la Collection Lambert, Collection Lambert, Avignon, France
Almost
Nicelle Beauchene Gallery, New York, NY, USA
New York/New Drawings 1946–2007Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain
The Third Mind: American Artists Contemplate Asia, 1860–1989The Solomon R. Guggenheim Museum, New York, NY, USA
Unfolding Process: Conceptual and Material Practice on Paper
The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA
Works On Paper
William Shearburn Gallery, Santa Fe, NM, USA
Target Practice: Painting Under Attack 1949–78Seattle Art Museum, Seattle, WA, USA
25 for 25: A Tribute to Ron Warren
Mary Boone Gallery, New York, NY, USA
Tetsumi Kudo, Richard Tuttle
Andrea Rosen Gallery, New York, NY, USA
Zig Zag
Sperone Westwater, New York, NY, USA
Materialien, curated by Birte Kleemann
Muenzsalon, Berlin, Germany
2008
Collecting Collections: Highlights of the Permanent CollectionMuseum of Contemporary Art, Los Angeles, CA, USA
Air Kissing: An Exhibition of Contemporary Art About the Art World
Arcadia University Art Gallery, Philadelphia, PA USA
StyrofoamThe Museum of Art, Rhode Island School of Design, Providence, RL, USA
Sculpture
Texas Gallery, Houston, TX, USA
Sparks! The William T. Kemper Collection InitiativeNelson-Atkins Museum of Art, Kansas City, MO, USA
Selections from the Collection of Helga and Walther Lauffs
Zwirner & Wirth and David Zwirner, New York, NY, USA; travelled to: Hauser & Wirth, Zürich, Switzerland
Summer in the City 2008
John Berggruen Gallery, San Francisco, CA, USA
15 Year Anniversary Exhibition
Galleri Nicolai Wallner, Copenhagen, Denmark
Abstract Mash-up: Anne Appleby, Pia Fries, Mary Heilmann, Sol LeWitt, Dorothy Napangardi, Laurie Reid, Amy Sillman, and Richard Tuttle
Crown Point Press, San Francisco, CA, USA
2007
All for Art! Great Private Collections Among Us
Museé des beaux-arts de Montréal, Canada
Mask
James Cohan Gallery, New York, NY, USA
Not For SaleP.S. 1 Contemporary Art Center, Long Island City, NY, USA
2006
Hard Times: New York Painting 1967–1975organised by Independent Curators International, New York, NY, USA. Travelled to: Weatherspoon Art Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy Museum, New York, NY, USA Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Austria, ZKM/Center for Art and Media Karlsruhe, Germany
The Mediated Gesture
Brooke Alexander Editions, New York, NY, USA
Contemporary Masterworks: Saint Louis CollectsContemporary Art Museum, St. Louis, MO, USA
The Last Time They Met
Stephen Friedman Gallery, London
Chers Amis
Domaine de Kerguehennec, Bignan, France
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video
Grimaldi Forum, Monaco
Nothing and Everything
Peter Freeman, Inc., New York, NY, USA
Freeze! A Selection of Works from a New York Collection
Robilant + Voena + Sperone, London
2005
Minimalism and BeyondPulitzer Foundation for the Arts, St. Louis, MO, USA
Eccentric Modern
Foundation To-Life, Inc., Mount Kisco, New York, NY, USA
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper
Andrea Rosen Gallery, New York, NY, USA
A Little Romance: Highlights from the Permanent Collection
Museum of Contemporary Art, North Miami, FL, USA
Drawings from the Modern: 1945–1975The Museum of Modern Art, New York, NY, USA
Greater than the Sun: Selections from the Craig Robins Collection of Contemporary Art
University Gallery, University of Florida, Gainesville, FL, USA
2004
Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, curated by Richard TuttleCooper Hewitt National Design Museum, New York, NY, USA. Travelled to: Museum of Design, Atlanta, GA, USA; Aspen Art Museum, Aspen, CO, USA; Beauty-in-Advertising, Wolfsonian, Florida International University, Miami, FL, USA
Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York
Neue Nationalgalerie, Berlin, Germany
ULAE: The Print Show
Oklahoma City Museum of Art, Oklahoma City, OK, USA
Transmit + Transform
Santa Fe Art Institute, Sante Fe, NM, USA
Indonesian Textiles, curated by Richard Tuttle
Tai Gallery / Textile Arts, Santa Fe, NM, USA
Artists’ Books: No Reading Required, Selections from the Walker Art Center Library Collection
Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, MN, USA
2003
Recent Acquisitions of Contemporary Artists Books
California Palace of the Legion of Honor, San Francisco, CA, USA
International Abstraction: Making Painting Real, Part II
Seattle Art Museum, Seattle, WA, USA
The Heroic Century: Masterpieces from The Museum of Modern Art—200 Paintings and Sculptures
Museum of Fine Arts, Houston, TX, USA
Flirting with Rodchenko
Henry art Gallery, University of Washington, Seattle, WA, USA
Primary Matters: The Minimalist Sensibility, 1959 to the PresentSan Francisco Museum of Modern Art, CA, USA Assemblage, Zwirner & Wirth, New York, NY, USA
Dwight Hackett Projects
Santa Fe, NM, USA
Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle
Brent Sikkema, New York, NY, USA
Thinking about Sculpture
The Rachofsky House, Dallas, TX, USA
American Academy Invitational Exhibition of Painting and Sculpture
American Academy of Arts and Letters, New York, NY, USA
Spring Fever V: Group Exhibition
Crown Point Press, San Francisco, CA, USA
Divergent
Galerie Lelong, New York, NY, USA
Back to the Present: Minimalist Works from the Museum’s Collection
Rhode Island School of Design Museum, Providence, RI, USA
In Full View
Andrea Rosen Gallery, New York, NY, USA
Centro Galego de Arte Contemporanea
Santiago de Compostela, Spain
American Cutout
New York Studio School, New York, NY, USA
Arp Artschwager Tuttle
Kent Gallery, New York, NY, USA
2002
Drawings of Choice from a New York CollectionKrannert Art Museum, University of Illinois, Urbana–Champaign, IL, USA. Travelled to: Arkansas Art Center, Little Rock, AR, USA; Georgia Museum of Art, Athens, GA, USA; Cincinnati Museum of Art, Cincinnati, OH, USA
Works on Paper
Lawrence Markey, New York, NY, USA
The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing
Open Studio Press, Boston, MA, USA
Watercolor: In the Abstract
Michael C. Rockefeller Arts Center Gallery, Fredonia State College, Buffalo, NY, USA To Be Looked At: Painting and Sculpture from the Collection, The Museum of Modern Art, Queens, New York, NY, USA
netWork: Joseph Egan, James Bishop, Richard Tuttle, Jerry Zeniuk, Andreas Christen, Giulio Paolini, Sylvia Plimack Mangold, Glen Rubsamen, David Rabinowitch, Robert Mangold, Rita McBride, Sol LeWitt, Dan Flavin, Fred Sandback, Donald Judd
Annemarie Verna Galerie, Zurich, Switzerland
2001
Extra Art: A Survey of Artists’ Ephemera, 1960–1999
Logan Galleries, California College of the Arts, San Francisco, CA, USA; travelled to: Institute of Contemporary Art, London, 2002
The Onnasch Collection: Aspects of Contemporary ArtMuseum d’Art Contemporani de Barcelona, Spain; travelled to: Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal
Letters, Signs and Symbols
Brooke Alexander Editions, New York, NY, USA
A Century of Drawing: Works on Paper from Degas to LeWitt
National Gallery of Art, Washington, D.C., USA
Extreme ConnoisseurshipSert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, MA, USA
A contretemps
FRAC Picardie, Paris, France
Peaks
Kagan Martos Gallery, New York, NY, USA
Objective Color
Yale University Art Gallery, New Haven, CT, USA
Poetry Plastique
Marianne Boesky Gallery, New York, NY, USA
Eye of ModernismGeorgia O’Keeffe Museum, Santa Fe, NM, USA
Measure/Mass: Rita McBride, Sylvia Plimack Mangold, Agnes Martin, James Bishop, Joseph Egan, Robert Ryman, Fred Sandback, Richard Tuttle
Annemarie Verna Galerie, Zurich, Switzerland
wall>sculpture
Margarete Roeder Gallery, New York, NY, USA
Art Express: Art minimal et conceptual américain, ètat d’une collection
Cabinet des estampes au Musée d’art moderne et contemporain, Geneva, Switzerland
Selections from the Permanent Collection
Museum of Contemporary Art, Miami, FL, USA
La Biennale di Venezia: Plateau of Humankind
Venice, Italy
Helmut Dorner, Richard Tuttle, Franz West
Brooke Alexander, New York, NY, USA
Green on Greene
Sperone Westwater, New York, NY, USA
Tramas y Ensamblajas
Museo de Arte Contemporaneo de Oaxaca, Oaxaca, Mexico
The Devil is in the Details
Allston Skirt Gallery, Boston, MA, USA
2000
Da Warhol al 2000: Gian Enzo Sperone 35 anni di mostre fra Europa e America
Palazzo Cavour, Turin, Italy
Hard Pressed: 600 Years of Prints and Process
AXA Gallery, New York, NY, USA; travelled to: Boise Art Museum, Boise, ID; Museum of Fine Arts, Santa Fe, NM, USA; Naples Museum of Fine Art, Naples, FL, USA
The Contemporary Illustrated Book: A Collaboration Between Artist and Author, 1960 to the Present
Garcia Street Books, Santa Fe, NM, USA
Soft Core
Joseph Helman Gallery, New York, NY, USA
Brand New Prints
Karen McCready Gallery, New York, NY, USA
Horizon 2000: Artist Woodturners
Brookfield Craft Center, Brookfield. New York, NY, USA
2000 Biennial ExhibitionWhitney Museum of American Art, New York, NY, USA
Soft White: Lighting Design by Artists
University Gallery, Fine Arts Center, University of Massachusetts, Amherst, MA, USA
Arte Americana: Ultimo decennio
Loggetta lombardesca, Ravenna, Italy
Cosmologies
Sperone Westwater, New York, NY, USA
The ‘70s at Crown Point Press and New Releases by Tom Marioni and Richard Tuttle
Crown Point Press, San Francisco, CA, USA
Pintura
FRAC Auvergne, Clermont Ferrand, France
Food for the Mind: Die Sammlung Udo und Anette Brandhorst
Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst München, Munich, Germany
In Depth: Recent Acquisitions in Prints
Whitney Museum of American Art, New York, NY, USA
Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950–2000
Kunsthalle Bremen, Germany
Group Show
Grant Selwyn Fine Art, New York, NY, USA
To Infinity and Beyond: Editions for the Year 2000
Brooke Alexander, New York, NY, USA
Process/Reprocess: Japan and the West
Leslie Tonkonow, New York, NY, USA
1999
The American Century: Art and Culture 1900–2000; Part II, 1950–2000
Whitney Museum of American Art, New York, NY, USA
Size Immaterial
Department of Coins and Medals, British Museum, London
twistfoldlayerflake
Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, CA, USA
Deutsch-amerikanischer Dialog
Galerie Fahnemann, Berlin, Germany
ITINERE 2
Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy
Afterimage: Drawing through Process
Museum of Contemporary Art, Los Angeles, CA, USA. Travelled to: Contemporary Arts Museum, Houston, TX, USA; Henry Art Gallery, Seattle, WA, USA
White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel, Werke aus Öffenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung
Museum für Gegenwartskunst, Basel, Switzerland
Circa 1968
Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal
That Certain Look: The Minimalist Tradition in New Mexico
University Art Museum, University of New Mexico, Albuquerque, NM, USA
Mixed Bag: Summer Group Show
Schmidt Contemporary Art, St. Louis, MO, USA
Twenty Years of the Grenfell Press
Paul Morris Gallery, New York, NY, USA
The Rocket Four: Artist Books of the Turkey Press
Julie Cencebaugh Gallery, New York, NY, USA
The Great Drawing Show
Kohn Turner Gallery, Los Angeles, CA, USA
Drawings from the 1970s by Mel Bochner, Sol LeWitt, Robert mangold, Sylvia Plimack Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle
Lawrence Markey, New York, NY, USA
Drawings from the 1960s
Curt Marcus Gallery, New York, NY, USA
1998
Next to Nothing: Minimalist Works from the Albright-Knox Art Gallery
Anderson Gallery, State University of New York, Buffalo, NY, USA
Art Wares
Numark Gallery, Washington, D.C., USA
Original Scale
Apex Art, New York, NY, USA
The Edward R. Broida Collection: A Selection of Works
Orlando Museum of Art, FL, USA
Agnes Martin/Richard Tuttle
Modern Art Museum of Fort Worth, Texas, USA. Travelled to: SITE Santa Fe, NM, USA
Drawing the Question: Dan Asher, Eva Hesse, Ree Morton, Sol LeWitt, Sheila Pepe, and Richard Tuttle
Dorsky Gallery, New York, NY, USA
Sculpture
Rhona Hoffman Gallery, Chicago, IL, USA
Art in New Mexico, Part 1: Works by Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle
James Kelly Contemporary, Santa Fe, NM, USA
Jürgen Becker
Hamburg, Germany
Spatiotemporal
Magasin 3 Stockholm Konsthall, Stockholm, Sweden
1997
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection
Arthur M. Sackler Museum, Harvard University, Cambridge, MA, USA. Travelled to: Kupferstichkabinett Academy of Fine Arts, Vienna, Austria; Kunstmuseum Winterthur, Winterthur, Switzerland; Kunst-Museum Ahlen, Ahlen, Germany; Akademie der Künste, Berlin, Germany; Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France; Parrish Art Museum, Southampton, NY, USA; Lyman Allyn Art Museum, New London, CT, USA; Northwestern University, Evanston, IL, USA; Contemporary Museum, Honolulu, HI, USA
At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA. Travelled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore, MD, USA; Art Gallery of Ontario, Toronto, Canada; Art Gallery of Windsor, Ontario, Canada; Virginia Beach Center for the Arts, Virginia Beach, VA, USA; Santa Monica Museum of Art, Santa Monica, CA, USA; Edmonton Art Gallery, Alberta, Canada, Center on Contemporary Art, Seattle, WA, USA
Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermächtnis
Öffentliche Kunstsammlung Basel, Switzerland
New York on Paper
Baumgartner Galleries, Washington, D.C., USA
Works on Paper: James Bishop, Paul Feeley, Shirley Jaffe, Richard Tuttle
Lawrence Markey, New York, NY, USA
Wood Not Wood: Work Not Work
A/D, New York, NY, USA
Dan Asher, Richard Tuttle
Galerie Bismarck, Bremen, Germany
La Biennale di Venezia, 47th Esposizione Internazionale d’Arte
Venice, Italy
About Context: Eva Hesse, Roni Horn, Agnes Martin, Ree Morton, Sylvia Plimack Mangold, James Bishop, Giulio Paolini, Forrest Bess, Fred Sandback, Richard Tuttle
Annemarie Verna Galerie, Zurich, Switzerland
Obsession + Devotion
Haines Gallery, San Francisco, CA, USA
1996
Schwere-los Skulpturen
Oberösterreichisches Landesmuseum, Landesgalerie Linz, Austria
Retrospktiv II: Sol LeWitt und Richard Tuttle
Annemarie Verna Galerie, Zurich, Switzerland On Paper II, Schmidt Contemporary Art, St. Louis, MO, USA
West Meets East: Works on Paper
Numark Gallery, Washington, D.C., USA
1995
52nd Carnegie International
Carnegie Museum of Art, Pittsburgh, PA, USA
Works on Paper
Jürgen Becker, Hamburg, Germany
Abstrakt
Galerie Klein, Bad Münstereifel-Mutscheid, Germany
1994
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection
National Gallery of Art, Washington, D.C. Travelled to: Portland Museum of Art, Portland, OR, USA; Archer M. Huntington Art Gallery, University of Texas, Austin, TX, USA; Wäinö Aaltonen Museum of Art, Turku, Finland; Tel Aviv Museum of Art, Tel Aviv, Israel
Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman
Kunsthaus Zurich, Switzerland
Western Artists/African Art
Museum for African Art, New York, USA
Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art
Whitney Museum of American Art, Champion Branch, Stamford, CT, USA
Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst
Öffenliche Kunstsammlung, Basel, Switzerland
Printed in the 1970s
Brooke Alexander, New York, NY, USA
Praticamente argento/Basically Silver
Studio La Città, Verona, Italy
Ethereal Materialism
Apex Art, New York, NY, USA
1993
Das Einfache ist das Schwierge
Kunsthaus Zug, Switzerland
Sculpture & Multiples
Brooke Alexander, New York, NY, USA
The Contemporary Artist’s Book: The Book as Art
871 Fine Arts, San Francisco, CA, USA
1992
Arte Americana: 1930–1970
Fiat-Lingotto, Turin, Italy
15th Anniversary Exhibition
Rhona Hoffman Gallery, Chicago, IL, USA
Gifts and Acquisitions in Context
Whitney Museum of American Art, New York, NY, USA
Paolo Uccello: Battaglie nell’arte del XX secolo
La Salerniana, Erice, Italy
1991
Stubborn Painting: Now and Then
Max Protetch Gallery, New York, NY, USA
Drawings
Brooke Alexander, New York, NY, USA
Masterworks of Contemporary Sculpture
Blum Helman Gallery, New York, NY, USA
Ulrich Rückriem, Richard Tuttle, Remy Zaugg
Brooke Alexander, New York, NY, USA
Poets/Painters Collaborations
Brooke Alexander, New York, NY, USA
Ellsworth Kelly, Robert Moskowitz, Richard Tuttle
Blum Helman Gallery, New York, NY, USA
Drawing by Sculptors
Greenberg Gallery, St. Louis, MO, USA
Essentially Raw
Sue Spaid Fine Art, Los Angeles, CA, USA
Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts
Kunstmuseum Basel, Switzerland
Den Gedanken auf der Spur blieben
Museum Haus Lange and Museum Haus Esters, Krefeld, Germany
Discarded
Emerson Gallery, Rockland Center for the Arts, West Nyack, NY, USA
1990
Contemporary Illustrated Books: Word and Image, 1967–1988
Franklin Furnace Archive, New York, NY, USA. Travelled to: Nelson-Atkins Museum of Art, Kansas City, MO, USA; University of Iowa Museum of Art, Iowa City, IA, USA
The New Sculpture 1965–75: Between Geometry and GestureWhitney Museum of American Art, New York, NY, USA. Travelled to: Museum of Contemporary Art, Los Angeles, CA, USA
Quotations, Part III
Annemarie Verna Galerie, Zurich, Switzerland
Minimal Art
Blum Helman Gallery, New York, NY, USA
About Round, Round About: A Collection of Circles, Spheres, & Other Round Matter
Anders Tornberg Gallery, Lund, Sweden
Group Show
Blum Helman Gallery, New York, NY, USA
Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona
Kunsthalle Bielefeld, Bielefeld, Germany
Accrochage
Galerie Schmela, Düsseldorf, Germany
Stendhal Syndrome: The Cure
Andrea Rosen Gallery, New York, NY, USA
John Cage, Alan Saret, Richard Tuttle
Christine Burgin Gallery, New York, NY, USA
The Garden
A/D, New York, NY, USA
1989
Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York
North Carolina Museum of Art, Raleigh, NC, USA. Travelled to: Albany Museum of Art, Albany, GA, USA; San Jose Museum of Art, San Jose, CA, USA
The Library
A/D, New York, NY, USA
The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art
Whitney Museum of American Art, Fairfield County, Stamford, CT, USA
Object of Thought: A Collection of Objects and Small Sculptures
Anders Tornberg Gallery, Lund, Sweden
Galerie Schmela
Galerie Schmela, Düsseldorf, Germany
Alan Kirili, Richard Tuttle, William Wegman
Holly Solomon Gallery, New York, NY, USA

Selected Collections

Akron Art Museum
Akron, OH, USA
Allen Memorial Art Museum
Oberlin, OH, USA
Art Institute of Chicago
Chicago, IL, USA
Baltimore Museum of Art
Baltimore, MD, USA
Birmingham Museum of Art
Birmingham, AL, USA
Blanton Museum of Art
The University of Texas, Austin, TX, USA
Bowdoin College Museum of Art
Brunswick, ME, USA
Brooklyn Museum
Brooklyn, NY, USA
Buffalo AKG Art Museum
Buffalo, NY, USA
Carnegie Museum of Art
Pittsburgh, PA, USA
Centre Pompidou, Musée national d’art moderne
Paris, France
Cleveland Museum of Art
Cleveland, OH, USA
Columbus Museum of Art
Columbus, OH, USA
Contemporary Art Museum
Honolulu, HI, USA
David Roberts Foundation
London
Des Moines Art Center
Des Moines, IA, USA
Dublin City Gallery, The Hugh Lane
Dublin, Ireland
Fogg Art Museum
Harvard University Art Museums, Cambridge, MA, USA
Fondation Cartier pour l’art contemporain
Jouy-en-Josas, France
Funda9ao Serralves
Porto, Portugal
Galleria Nazionale d'Arte Moderna e Contemporanea
Rome, Italy
High Museum
Atlanta, GA, USA
Hirshhorn Museum and Sculpture Garden
Smithsonian Institution, Washington, D.C., USA
Honolulu Museum of Art
Honolulu, Hawaii
Hood Museum of Art
Dartmouth College, Hanover, NH, USA
Indianapolis Museum of Fine Art
Indianapolis, IN, USA
Institut Valencià d’Art Modern
Valencià, Spain
Israel Museum
Jerusalem, Israel
Kaiser Wilhelm Museum
Krefeld, Germany
Kunsthaus Zug
Zug, Switzerland
Kunstmuseum Winterthur
Winterthur, Switzerland
Los Angeles County Museum of Art
Los Angeles, CA, USA
Louisiana Museum of Modern Art
Humlebæk, Denmark
Ludwig Museum
Cologne, Germany
Metropolitan Museum of Art
New York, NY, USA
Mies Van der Rohe Museum
Berlin, Germany
Mildred Lane Kemper Art Museum
Washington D.C., USA
Modern Art Museum of Fort Worth
Forth Worth, TX, USA
Moderna Museet
Stockholm, Sweden
Mu.ZEE
Ostend, Belgium
Musée Cantonal des Beaux-Arts de Lausanne
Lausanne, Switzerland
Musée nationale d’art moderne
Paris, France
Museum Brandhorst
Munich, Germany
Museum Kolumba
Cologne, Germany
Museum of Art, Rhode Island School of Design
Providence, RI, USA
Museum of Contemporary Art
Chicago IL, USA
Museum of Contemporary Art
Los Angeles, CA, USA
Museum of Fine Arts
Boston, MA, USA
Museum of Fine Arts
Santa Fe, NM, USA
Museum of Modern Art
New York, NY, USA
National Gallery of Art
Washington, D.C, USA
National Gallery of Canada
Ottawa, Canada
New York Public Library
New York, NY, USA
Norton Museum of Art
Palm Beach, FL, USA
Orlando Museum of Art
Orlando, FL, USA
Philadelphia Museum of Art
Philadelphia, PA, USA
Rijksmuseum Twenthe
Enschede, Netherlands
S.M.A.K – Municipal Museum of Contemporary Art
Ghent, Belgium
San Francisco Museum of Modern Art
San Francisco, CA, USA
Seattle Art Museum
Seattle, WA, USA
Sprengel Museum Hannover
Hannover, Germany
Staatliche Kunstammlungen
Kassel, Germany
Städtisches Museum Abteiberg
Mönchengladbach, Germany
Stedelijk Museum
Amsterdam, Netherlands
Tate
London
University of South Florida Contemporary Art Museum
Tampa, FL, USA
Victoria and Albert Museum
London
Wadsworth Atheneum Museum of Art
Hartford, CT, USA
Walker Art Center
Minneapolis, MN, USA
Whitney Museum of American Art
New York, NY, USA
Yale University Art Gallery
New Haven, CT, USA