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Ricky Swallow

Born in San Remo 1974
Lives and works in Los Angeles

Education

  • 1993 – 1997 Bachelor of Fine Art, Major: Drawing, Victorian College of the Arts, Melbourne, Victoria

Solo Exhibitions

2009
  • National Gallery of Victoria, Melbourne
2008
  • Mark Foxx Gallery, Los Angeles
  • Ballad of a Thin Man, The Suburban, Oak Park, Illinois
2007
  • Douglas Hyde Gallery, Dublin
  • Kunsthalle Vienna, Vienna, Austria
2006
  • PS1/MoMA, New York
  • Stuart Shave/Modern Art, London
  • The Past Sure Is Tense, Art Gallery of Western Australia, Perth
2005
  • Australian Pavillion, Venice Biennale
  • Killing Time, Gertrude Contemporary Art Space, Victoria
2003
  • Field Recordings, Tomio Koyama Gallery, Tokyo
2002
  • Tomorrow in Common, Andrea Rosen Gallery, New York, New York
  • Wooden Problem, Karyn Lovegrove Gallery, Los Angeles, California
  • A Sculpture Now, First Floor Artists and Writers Space, Melbourne, Victoria
2001
  • For those who came in late: Matrix 191 Project, University of California Berkeley
    Art Museum
    , Berkeley, California
  • Above Ground Sculpture, Hamish McKay Gallery, Wellington, New Zealand
2000
  • Plastruct, Karyn Lovegrove Gallery, Los Angeles, California
  • Unplugged, Darren Knight Gallery, Sydney, Australia
  • Ricky Swallow: Above Ground Sculpture, Project Room, Dunedin Public Art Gallery, Dunedin, December 16, 2000 – March 4,
  • Individual Ape, Hot Rod Tearoom, Oslo
1999
  • The Multistylus Programme, Studio 12, 200 Gertrude Street, Melbourne
1998
  • Repo Man, Darren Knight Gallery, Sydney
1997
  • The Lighter Side of the Dark Side, Grey Area Art Space, Inc., Melbourne, Australia
    Small World, Teststrip, Auckland

Group exhibitions

2009
  • Mythologies, Museum of Mankind, London
2008
  • Imaginary Thing, Aspen Art Museum, Colorado
  • Tell Tchaikovsky the News, Curated by Torbjørn Rødland, Standard (Oslo), Oslo
2007
  • Red Eye: Los Angeles Artists from the Rubell Family Collection, Miami, Florida, USA
  • Goth: Reality of the Departed World, Yokohama Museum of Art, Japan
  • Sculptors Drawing, Aspen Art Museum, Colorado, USA
  • Makers and Modelers: Works in Ceramic, Gladstone Gallery, New York
2006
  • Summer exhibition, Stuart Shave/Modern Art, London
2005
  • Getting Emotional, ICA, Boston, 18 May – 5 September
2004
  • Strange Weather, Modern Art, London
  • Living Together is Easy, Art Tower Mito, Mito, Japan
  • The Ten Commandments, Curated by Klaus Biesenbach, Deutsches Hygiene-Museum, Dresden
2003
  • Possible Worlds, Artspace, Auckland, New Zealand
  • Art and Film, Centre for Contemporary Photography, Melbourne, Australia
  • Still Life, Art Gallery of New South Wales, Sydney
  • Variations on the Theme of Illusion, Emily Tsingou Gallery, London
  • Some Things We Like, Asprey Jacques Gallery, London
  • Guided By Heros, Curated by Raf Simons, Z33, Hasselt
  • Extended Play, Art Remixing Music, Govett Brewster Art Gallery
  • Roll Out, Curated by Ricky Swallow, Karyn Lovegrove Gallery, Los Angeles
  • The Fourth Sex, Adolescent Extremes, Stazione Leopolda, Florence
2002
  • Remix, Tate Liverpool, Liverpool, England
2001
  • Bootylicious, Ian Potter Museum of Art, Melbourne University
  • A Person Looks at a Work of Art, Heide Museum of Modern Art, Melbourne
  • Casino 2001, SMAK, Gent
  • Good Work, Dunedin Public Art Gallery, City Gallery, Wellington
  • Swallow Swenson, Museum of Contempoary Art, Sydney
  • Rubik 13, Sarah Cottier Gallery, Sydney
  • None More Blacker, 200 Gertrude Street Gallery, Melbourne
  • Utopia / ROR, Kiasma Museum of Contempoary Art, Helsinki
  • Kunsthalle zu Kiel
2000
  • Keith Edmier, Ricky Swallow, Erick Swenson, Andrea Rosen Gallery,
    New York
  • The Retrieved Object, Linden Art Gallery, Melbourne
  • Are You Experienced?, The Physics Room, Christchurch
  • Uncommon World, National Gallery of Australia, Canberra
  • Spin Me Round, Metro Arts, Brisbane
  • Drawn From Life, Marianne Boesky Gallery, New York
  • Terra Mirabilis, Centre for Visual Arts, Cardiff
  • Brand New Master Copy, UKS Gallery, Oslo
  • Rent, Overgaden Gallery, Copenhagen
1999
  • Spellbound, Karyn Lovegrove Gallery, Los Angeles
  • Make It Yourself, 200 Gertrude Street Gallery, Melbourne
  • Contempora 5, The Ian Potter Museum of Art, Melbourne
  • Group Drawing Exhibition, Hamish McKay Gallery, Wellington
  • Signs Of Life, Melbourne International Biennial, Melbourne
  • Multiples, Ivan Anthony Gallery, Auckland
  • Walkmen, with David Jolly and David Noonan, Synaesthesia Music
1998
  • Rubik 3 Video vs Watercolor, 36 Wellington St, Collingwood
  • Misty V’s City Lights 2000, City Lights, Hosier Lane
  • Institutional Transit Lobby, 200 Gertrude Street Gallery
  • Injection, Performance Space, Sydney
  • Video Soup, Collective Gallery, Edinburgh
  • Taken, Curated by Jon Cattapan, R.M.I.T Project Space
  • Hobby Core, Curated by Ricky Swallow, Stripp Gallery
  • Beaux Arts Art in the World ‘98, Passage de Retz, Paris
  • Metamorphosis, Mornington Peninsula Regional Gallery
  • All This And Heaven Too, Adelaide Biennial Exhibition, Art Gallery of South Australia
  • Wild Kingdom, Institute of Modern Art, Brisbane
1998
  • Ear to the Ocean, with Michael Graeve, Grey Area Art Space Inc, Melbourne
  • Going Nowhere, Curated by Julia Gorman, Grey Area ArtSpace Inc, Melbourne
  • Diorama, Curated by Charlotte Day, 200 Gertrude Street Gallery, Melbourne
  • Gathering, Curated by Ricky Swallow, Platform 2, Melbourne
1996
  • Before My Eyes A Bedroom Monster, Stop 22 Gallery, Melbourne

Publications

2008
  • GOTH: Reality of the departed world, Yokohama Museum of Art, Japan
  • Younger Than Yesterday, exhibition catalogue, published by Kunsthalle Vienna
2007
  • Ricky Swallow, exhibition catalogue, Douglas Hyde Gallery, Dublin, Ireland
2005
  • This Time Another Year, Australia Venice Biennale
  • Paton, Justin. Ricky Swallow, Field Recordings, New Art Series, Craftman House

Selected Bibliography

2008
  • Stunda, Hilary. Contemporary Still Life: A Conversation With Ricky Swallow, Sculpture Magazine, Vol. 27 No. 5, June
  • Red Eye: Los Angeles Artists from the Rubell Family Collection, exhibition catalogue, published Rubell Family Collection, Miami
2007
  • Dunne, Aidan. Ricky Swallow, The Irish Times, May 30
  • White, Lucy. Sculpting Matters of Life and Death, The Irish Metro, May 22
  • Farman, Marie. Dandy Magazine, Issue 16, April/May
2006
  • Stockholder, Jessica. Ricky Swallow, The New York Times, February 21
  • Smee, Sebastian. Ricky Swallow, The Australian, December 15
  • Ricky Swallow, V&A magazine, Winter 2005-2006, p. 96
2005
  • Ricky Swallow in Venice, Art & Australia, Vol. 42 No. 4, Winter 2005, p. 577-579
  • I-D, No. 256, July
  • Conway Morris, Roderick. Pushing Boundaries at Venice Biennale, International Herald Tribune, 14th June
  • McDonald, John. Life studies, The Australian Financial Review magazine, June
  • Sanders, Mark. Another Bonehead, Another magazine, Spring / Summer
  • Dawne, Tony. The best art jamboree in the world, The Times, June 23
  • Brooks, Richard. A beginner’s guide to the Biennale, Culture – The Sunday Times, June 19
  • Wullschlaher, Jackie. Old and new in the city of pageantry, Financial Times, June 15
  • Hook, Line and Sinker, Art Review, June, p. 74-75
  • McDonald, John. Life Studies, The Australian Financial Review Magazine, June, p. 22-25
  • Sooke, Alastair. Ten Hot Biennale Artists, The Daily Telegraph, June 4
  • Herbert, Martin. Bone Idol, Modern Painters, May, p. 68-73
  • Brennan, Betsy. Flying High, Vogue Living, March-April
  • Next Big Thing- Chiselled Features, The Sunday Times Magazine, March 20
  • I-D Magazine, December 2004-January
  • Arevalo, Pilar. Personal History, Oyster, p. 52-55
2004
  • Hutak, Michael. Wood for thought, the Bulletin, November
  • Fitzerald Michael. Still life at high speed, Time, September 20, p. 68-69
  • Coslovich, Gabriella. Talking flight from fame, the Age, September 1
  • Fortescue, Elizabeth. Tipping the bucket on time and tide, the Daily Telegraph, August 30
  • Hallett, Bryce. Perfection and perseverance: artist carving a reputation, the Sunday Morning Herald, August 25
  • Artlink, Vol. 25 No. 1, August, cover and p. 12-13
  • Ann Low, Lenny. Swallow flying solo as he prepares for Venice Hype, the Sunday Morning Herald, June 30
  • Barclay, Alison. Ricky’s Venetian Class, Herald Sun, June 16
  • Sorensen, Rosemary. Venice Beckons, The Courier Mail, June 16
2003
  • Higgs, Matthew. Openings: Steven Shearer, Artforum, October
  • Exhibition Review, Artforum, Vol XLII No. 1, September
  • Paton, Justin. The Was and May, Art Monthly Australia, March 2003, cover and p. 3-6
2002
  • Safe, Gerogina. Master of the Universe, The Weekend Australian, December 21-22
  • Johnson, Ken. Art in Review, The New York Times, Friday September 20
  • Wallis, Simon. Remix catalogue, TATE Liverpool, Artist‚ Entries, p. 72-73
  • Myers, R, Terry. Wooden Problem, review, Contemporary, September
  • Spiderland, Artist p. 1,2,3,4, Issue 3, Sydney, Australia
2001
  • Artist Pages, Casino 2001 catalogue, p. 190-191
  • Kent, Rachel. Classical Contemporary, Swallow Swenson, catalogue text, MCA,
    Sydney, Australia
  • Zoo 10, 09 2001, Artist profile, p. 156,157, London
  • Gawronski, Alex. A sum and it’s parts, Rubik @ Sarah Cottier, review, Eyeline
    Spring 2001, Issue 46, Australia
  • Zuckerman Jacobson, Heidi. Ricky Swallow, Matrix Gallery, Berkeley 2001
  • Palmer, Daniel. Shadow Play, Frieze, Issue 58
  • Brae, Marah. The Voyeur Awakes, Art and Australia, April 2001
  • Travis, Lara. None More Blacker, catalogue text, 200 Gertrude Street Gallery, Australia
  • Paton, Justin. The Recreation Room, catalogue text, Above Ground Sculpture
  • Dunedin Public Art Gallery, Dunedin, New Zealand, 2001
2000
  • Koestenbaum, Wayne. Commodity Fetishism in Sculpture, Artforum, Best of 2000
  • Brennan, Stella. Economies of Scale, + Artist Page, Pavement Magazine, Issue 44, NZ
  • James, Bruce. Odd Birds in Swallows Nest, The Sydney Morning Herald, 4 November
  • Tonkin, Steven. Uncommon World, catalogue text, NGA, Canberra, Australia
  • Pestorius, David. Spin Me Round, catalogue text, Metro Arts, Brisbane, Australia
  • Preview, Rent. Australian Centre of Contemporary Art, Contemporary Visual Arts, 29
  • Yaman, Ebru. The Weekend Australian, January 1-2
  • Fenner, Felicity. New Life In Melbourne, Art in America, January, p. 74-77
  • Koop, Stuart. Rent Art, notes on the works, Ojeblikket, Special Issue no 3
  • Walaker, Jan. Monkey Business, Interview and artist pages, Hot Rod Issue 6, Oslo, Norway
  • Krister, Bo. Brand New Master Copy, catalogue intro, UKS Gallery, Oslo, Norway
1999
  • Colless, Edward. The World Ends When It’s Parts Wear Out, Memory Made Plastic, Ricky Swallow
  • Frost, Andrew. Ricky Swallow, Monument magazine, Issue 33
  • Nicholson, Tom. Signs of Life, Melbourne International Biennial review, Art & Australia, vol. 37
  • Rooney, Robert. Show Them the Money, The Weekend Australian, September 25
  • Nicholson, Tom. Contempora 5 catalogue, Ian Potter Museum of Art, Melbourne
  • Palmer, Daniel. Melbourne International Biennial, Frieze, no 48, September
  • Clabburn, Anna. Plentiful Life Signs, The Age, Melbourne, 9th June
  • Palmer, Daniel. Review. Walkmen, Frieze, no 46, May
  • Chapman, Chris. Space 1999, Quick Responses, 1999 Melbourne International Biennial, May
  • Rooney, Robert. A Little Chaos, but Definite Life Signs, The Australian, May 21
  • O’Connel, Stephen. Repo Man, review, Like art magazine, Issue 7, summer 1998-99
  • Palmer, Daniel. Hobby Core, review, Like art magazine, Issue 7 summer 1998-99
1998
  • Hjorth, Larissa. Hobby Core, Log Magazine, Christchurch, New Zealand, September
  • Smee, Sebastion. Are we not men?, Sydney Morning Herald, September 18
  • McDonald, Ewen. All this and Heaven Too, Art & Australia vol 36
  • Sequeira, David, Cues. Metaphors and Dialogues, Real Time, August
  • Engberg, Juliana. No radio, Art and Text, August, October
  • McKenzie, Robyn. Being and Time, the new existentialism, Beaux Arts, Art in the World 98 (catalogue edition)
  • Nicholson, Tom. Leagues Under the Sea, Like art magazine, Issue 5, March
  • McQualter, Andrew. All This And Heaven Too, Catalogue text, A G S A
  • Koop, Stuart. Diorama, 200 Gertrude Street Gallery, review, Art and Text, January
1997
  • Huppatz, DJ. The Lighter Side of The Dark Side, review, Artlink, December 1997
  • McQualter, Andrew. Science Fiction, Ricky Swallow, Globe E on Line Art Journal, Nov 97
  • Clabburn, Anna. Replanting Our Natural Heritage, review, The Age 29, October 1997
  • Day, Charlotte. Dioramas and The Invention of Nature, Catalogue text, Diorama, 200 Gertrude Street Melbourne

Awards

1999
  • Contempora 5 Art Award, Victoria, Australia
1998
  • Emerging Artists Grant, The Australia Council