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Lothar Hempel
Born in Cologne 1966
Lives and works in Berlin
Education
- 1987-1992 Kunstakademie Dusseldorf, Dusseldorf
Solo Exhibitions
- 2009
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- Kats, Nerves, Shadows & Gin, Anton Kern Gallery, New York
- MGM, Oslo
- Gio Marconi, Milan
- 2008
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- Stuart Shave/Modern Art, London
- Douglas Hyde Gallery, Dublin
- Galerie Art Concept, Paris
- Gio Marconi, Milan, Italy
- 2007
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- Alphabet City, Magasin – Centre National d’Art Contemporain, Grenoble, France
- Stuart Shave Modern Art, London
- 2006
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- Vanessa Baird – Me, myself and the other one, Atle Gerhardsen, Berlin
- Umbrella, Anton Kern Gallery, New York
- 2005
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- Casa Musica (extrema), Atle Gerhardsen, Berlin, Germany
- 2004
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- Fieber/Fever: 5 New Paintings and Other Stories, Anton Kern Gallery, New York
Art:Concept, Paris
- On The Olympus, Unlimited Contemporary Art, Athens
- Versteck!, with Petra Hollenbach, Parkhaus, Dusseldorf
- 2003
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- Der Gesang der Vôgel ist Sinnlos!, The Song of the Bird is Nonsense, Anton Kern Gallery, New York
- 2002
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- Diamanten, c/o Atle Gerhardsen, Berlin
- Fleisch: Maschine, Magnani, London
- Concentrations 42, Dallas Museum, Dallas
- Propaganda, Institute of Contemporary Art (ICA), London
- 2001
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- Magnet, Art:Concept, Paris
- 2000
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- Das Orakel l’chelt. das Orakel lacht. das Orakel l’chelt, Ars Futura Galerie, Zurich
- An Schlaf ist Nicht zu Denken, Lab of Gravity, Hamburg
- Wespennest, (Wasps Nest) Anton Kern Gallery, New York
- 1999
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- Amerika Verschwindet nur das L’cheln Bleibt (America Disappears Only the Smile Remains), Anton Kern Gallery, New York
- KAPUTT und die Folgen (Kaputt and the Consequences), Robert Prime, London
- Videos, Centre Saint Gervais, Geneva
- 1998
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- Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne
- Kunstschnee will Schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam
- 1997
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- Samstag Morgen, Zuckersumpf, Robert Prime, London
- This Bittersweet Disaster, Anton Kern Gallery, New York
- 1996
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- Strom, Anton Kern Gallery, New York
- The Bienenkorb Times, Galerie Daniel Buchholz, Cologne
- 1994
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- LOW, Artistbooth, Cologne Art Fair, Cologne Germany
- LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm
- OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London
- Bewegungslehre (No Future), Buchholz und Buchholz, Cologne
- 1992
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- 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne
Group Exhibitions
- 2009
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- Beaufort 03, Triennial for Contemporary Art, Blankenberge
- SCULPTURE SHOW, Eastside Projects, Birmingham
- 2008
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- Sphinxx, Curated by Alexis Vaillant, Stuart Shave/Modern Art, London
- A show of many parts, each part more spectacular and elaborate than the last, curated by Kirsty Ogg, The City Gallery, Leicester
- 7th Gwangju Biennale, Gwangju
- Martian Museum of Terrestrial Art, Barbican Art Gallery, London
- Lustwarande 08 – Wanderland, Tilburg, Holland
- 2007
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- Effigies, Stuart Shave Modern Art, London
- Pale Carnage, Arnolfini, Bristol, touring to Dundee Contemporary Arts, Dundee
- 2006
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- The Triumph of Painting – Part 4, The Saatchi Gallery, London
- 2005
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- Growing Up Absurd, Kent Institute of Art and Design, Kent, UK
- 2004
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- She’s Come Undone, Curated by Augusto Arbizo, Artemis Greenberg Van Doren Gallery, New York
- Now is a Good Time, Curated by Dean Valentine, Andrea Rosen Gallery, New York
- The Snow Show, Tate Liverpool, London
- The Snow Show, Curated by Lance Fung, Cities of Kemi and Rovaniemi, Lapland
- 2003
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- Dark Shadows, Marc Foxx Gallery, Los Angeles
- Michael Kohn Gallery, Los Angeles
- 2002
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- Schöne Aussicht, Galerie Otto Schweins, Cologne
- It’s Unfair!, Museum de Pavilijoens, Almere
- Accrochage, Atle Gerhardsen, Berlin
- Internationales Netzwerk, Fluxus und die Folgen, Karstadt Wiesbaden
- 2001
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- A New Horizon, Art:Concept, Paris,
- Uniform: Order and Disorder, P.S.1, New York
- Und Keiner Hinkt 22 Wege vom Schwegler Wegzukommen, Museum Kurhaus Kleve, Kunsthalle Düsseldorf, Düsseldorf
- Drawings, Galeria Sales, Rome, I
- I LOVE New York, Anton Kern, New York
- Beauty Of Intimacy – Lens and Paper, Kunstraum Innsbruck
- 2000
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- Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago
- 10 Jahre Ars Futura, Ars Futura, Zurich
- Portraits, Thomas Rehbeiin Galerie, Cologne
- Beauty of Intimacy? – Lens and Paper, The Loudon Collection, Gemeentemuseum Den Haag, Staatliche Kunsthalle Baden Baden
- 1999
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- Titles for Drawings, AC Project Room, January, New York
- oldNEWtOWn, Casey Kaplan, January, New York
- Who, if not we?, Curated by Yilmaz Dziewior, Elizabeth Cherry Contemporary Art, Tucson, Arizona
- Nur Wasser Lasst sich Leichter Schneiden, Projektraum Hafen, Hamburg
- Dessins, Forde Gallery, Geneva
- Officina Europa, Galeria díArte Moderna, Bologna
- 1998
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- Conspirazione, Collection Re Rebaudengo, Turino
- Roommates, Van Loon Museum Amsterdam
- Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, curated by Francesco Bonami, Bard College, New York
- _Galerie Daniel Buchholz, Cologne
- El NiÑo, Städtisches Museum Abteiberg Mönchengladbach
- ars viva 98/99 – Installationen, Brandenburgische Kunstsammlungen Cottbus, Kunstverein Braunschweig, Portikus Frankfurt am Main
- 1997
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- Group Show: Painting, Photography, Drawing, Anton Kern Gallery, NY
- Aura, (with Walter Dahn, Rosemarie Trockel & Dirk Bell) Galerie Ars Futura, Zurich
- X 2, Wiener Secession, Vienna
- Panic, ICA, London
- Palais des Beaux Arts, Brussels
- Surprisen, Kunsthalle Nurnberg
- Bring your own Walkman, W 139, Amsterdam
- Delta, a geographical expression, curated by Francesco Bonami, Musèe d’Art Moderne de la Ville de Paris
- Cologne show, Goetheinstitut Turin
- 1996
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- Glockengeschrei nach Deutz, das Beste aller Seiten!, Daniel Buchholz, Cologne
- This really nice, a project with students from the Royal Academy of Arts, Aircondition, Copenhagen
- TRAFFIC, curated by Nicolas Bourriaud, CAPC MusÈ e, Bordeaux
- PUSH UPS, The Factory, Athens
- AUTO REVERSE 2, le magasin, Grenoble
- How Will We behave?, Robert Prime Gallery, London
- Escape Attempts, curated by Simon Sheik and Globe, Christiania, Copenhagen
- 1995
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- Atomic!, Oberwelt Galerie, Stuttgart
- Auto Reverse, Centre Européen de la Culture, Geneva
- The Video Collection, Filmfestival Knokke, Knokke, Belgium
- Figures, Le Parvis, Centre Meridien
- The Moral Maze, curated by Liam Gillick and Philippe Parreno, e Consortium, Dijon
- Stoppage, curated by Liam Gillick, CCC Tours, Villa Arson, Nice
- I Confess, Nicolay Art Center, Copenhagen
- Purple 8 1/2, curated by Purple Prose, Galerie Jousse Seguin, Paris
- L’Hiver de l’Amour, Part 2, PS 1, New York
- Aperto, previously unreleased!, curated by Sabrina Grassi, APAC Nevers
- Photomontage, le Consortium, Dijon
- Labyrinthe Morale, curated by Liam Gillick and Philippe Pareno L’Usine, Dijon
- X/Y, curated by Christine van Asche, Centre Georges Pompidou, Paris,
- Palast der Kunste, Utopie macht endlose, (Lotus Club), Kulnischer Kunstverein, Cologne
- 1994
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- Sonne Munchen, Galerie Daniel Buchholz, Cologne
- Homegrown, Lotus Club, Cologne
- Grand Prix, Air de Paris, Nice
- L’Hiver de l’Amour, Musée d’art Contemporain de la Ville de Paris, Paris
Rue des Marins, Air de Paris, Nice
- Residence Secondaire, Galerie Sabrina Grassi, Paris
- 20, curated by Tomaso Corvi-Mora, Galleria Pascale Laccese, Milan
- Caravanserai, Galerie W 139, Amsterdam
- Henry Bond, Olafur Eliasson, Lothar Hempel, Saga Basement, Copenhagen
- Das Studium der Kunstgeschichte…, Schleifschnecke, Kunstlerhaus Stuttgart, Stuttgart
- Miniatures, the Agency, London
- Mixbild, Galerie Esther Schipper und Michael Krome, Cologne
- 13 Levels of Meaning, with Henry Bond, Ars Futura, Zurich
- Atomic, Neurotic, Exstatic, curated by Hendrik Larsson, The New ROOM, Guteborg
- 1993
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- Some artists I’ve been thinking about who fall under the title of: Wouldn’t it be more pluralistic to embrace turmoil and/or violence?, Andrea Rosen Gallery, New York
- Galerie Esther Schipper at the Christopher Grimes Gallery, Santa Monica, CA
Biennale di Venezia, APERTO, Venice
- Summer Show, Galerie Esther Schipper, Cologne
- Future Book Collection, Air de Nice, Nice
- Fuck the System Villa Rossi, Lucca
- Food for Thought, curated by Felix Gonzalez-Torres, Franklin Furnace, New York
- Phenylovethylamour, Unfair 1993, project by Lothar Hempel and Carsten Hoeller, * _Galerie Daniel Buchholz, Cologne
- Unplugged, curated by Nicholas Bourriaud
- jeder kind is van marmer, Bloom Gallery, Amsterdam
- Christmasshop, Air de Paris, Paris
- Video, Galerie Sabrina Grassi, Paris
- 1992
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- Prince, Madonna, Marky Mark & Cinderella, Ancient Etablissement Sacré, Liège,
Paradise Europa, BIZART, Copenhagen
- Tattoo Collection, Air de Paris & Urbi et Orbi at the Jennifer Flay Gallery, Paris Galerie Daniel Buchholz, Cologne, and Andrea Rosen, New York
- Galerie Monika Spruth, Cologne
- Galeria Pasquale Leccese, Milan
Events
- 2005
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- Trinkwasser! Jazz Festival Köln, Cologne
- 1995
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- Wie kann ich sagen, was ich denke, bevor ich hure, was ich sage!, With Carsten Hoeller, a production by Casino I., Red Salon in the Volksbahne, Berlin
- King’s Cross Project, Public Art Development Trust, London
Publications
- 2008
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- Il Casanova di Federico Fellini: Lothar Hempel, published by Douglas Hyde Gallery, Dublin
- 2007
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- Alphabet City, JRP Ringier
- 2002
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- Propaganda, Lothar Hempel, ICA catalog, edited by Emma Stern, interview with Toby Webster
- 2001
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- Uniform: Order and Disorder, P.S.1, New York
- 2000
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- Helga Meister: Und kein hinkt?, Wge vom Schwegler wegzukommen, Kleve
- Lens & Paper, Gemeentemuseum Den Haag/ Kunsthalle Daden Baden
- 1999
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- Officina Europa, Galleria díart moderna Bologna
- Ars Viva 98/99 Installationen, BDI, Cottbus/Braunschweig/Frankfurt
- 1998
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- El Nino, Museum Abteiberg Munchengladbach
- 1997
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- X2 Wiener Secession, Vienna
- Delta, Musee díart Moderne de la Ville de Paris
- Surprisen 2, Kunsthalle Nurnberg
- 1996
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- PUSH UPS, the factory, Athens Fine Arts School, Athens
- TRAFFIC, CAPC Museum, Bordeaux
- 1995
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- X/Y, Centre Georges Pompidou, Paris
- I Confess, Nicolaij
Selected Bibliography
- 2008
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- Stewart, Christabel. Hollywood Swingin: Lothar Hempel, Tank Magazine, Vol. 5, Issue 4, p. 22-23
- Lothar Hempel: Endless Journey, Wound Magazine, March, p. 244
- Window Dressed to Impress, The Irish Times, February 27
- Guarracino, Antonella. Lothar Hempel, Exibart.com, February 26
- Butler, Kay. Lothar Hempel: Cassanova, The Sunday Times, February 10
- 2007
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- Best of 2007: Lothar Hempel, ArtForum, December, p. 125
- van der Heide, Bart. Lothar Hempel, Frieze, October, p. 280
- Moulene, Claire. Lothar Hempel, ArtForum, Summer, p. 284-285
- Shariatmadari, David. Pale Carnage, Art Review, May, p. 131
- 2005
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- Noah Chasim, Marvel and Fieber/Fever, Time Out New York Magazine, January 13 – 19, p. 57.
- 2003
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- Melissa Gronlund, Lothar Hempel, Contemporary, No. 52, 2003
- 2002
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- John Russell Taylor, Road From Nowhere – Lothar Hempel, The Times, London, September 2002
- Nick Hayworth, Making Light of Heavy Themes, Evening Standard, London, September 2002
- Lothar Hempel ICA, ARTPREVIEW, September 2002
- Lothar Hempel, I-D Magazine, September 2002
- Fisun Guner, Don’t Believe the Hype, Metro Life, September 2002
- Vincent Pecoil, Lothar Hempel at Art: Concept, Paris, arttext, Spring 2002
- Benjamin Weil, Lothar Hempel, Flash Art, May-June 2002
- 2000
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- Jorn Ebner, Lothar Hempel, Kunstmagazin No. 43, 2/2000, pp. 30-33
- Justin Hoffmann, Lothar Hempel, Kunstforum, Bd. 150 (April-June 2000), p. 430
- 1999
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- Jennifer Higgie, Letís get Lost, Frieze, issue 48, September-October, 1999
- Bill Arning, Lothar Hempel, America Disappears/Only the Smiles Remains, Time Out New York, April 29-May 6, 1999 p. 65
- Michael Archer, Lothar Hempel, Art Monthly, n. 225, April 1999, p.29-30
- Barbara Steiner, Snipers, Lotusclub and more…, NachWeimar (exhibition catalogue)
- Jan Verwoert, Lothar Hempel, Springerin, Nr. 2/1999 (March-June)
- 2000
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- Jorn Ebner, Lothar Hempel, Kunstmagazin No. 43, 2/2000, pp. 30-33
- Justin Hoffmann, Lothar Hempel, Kunstforum, Bd. 150 (April-June 2000), p. 430
- 1998
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- Benjamin Weil, Lothar Hempel, Flash Art, March-April 1998 p.108
- 1997
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- Jennifer Higgie, Lothar Hempel, Frieze, issue 37, November/December, 1997
- Lothar Hempel, Jodie, Permanent Food, Paris
- Jan Avgikos, Angus Fairhurst and Lothar Hempel at Anton Kern Gallery, Artforum. October 1996.
- Carl Freedman, Traffic, Frieze, May 1996
- Traffic, Artforum, May 1996
- 1996
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- Christian Schneider, Hempel, Huller, Eliasson, Metropolis M, January 1995
- Lothar Hempel, Let’s smile forever, ZAP-Magazine, Amsterdamned
- 1995
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- Lothar Hempel and Olafur Eliasson, Kryll as the Food of Tomorrow, Buffalo Bill, September 1994
- Lothar Hempel, Let yourself go, Documents, March, 1994
- Benjamin Weil, Souvenirs des Immateriaux, Purple Prose, vol. 3
- 1992
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- Gregor Schwering, Junge Kunst aus KÔln, ZYMA, November 1992
- Lothar Hempel, Ballance Akt, AMOKKOMA, vol. 3
- Lothar Hempel, Ich kampfe um Dich, Purple Press, vol. 2
Audio/Video Publications/Editions
- 1995
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- More Startrax, featuring Kai Althoff & Justus Kˆhnke, a collaboration with Parthena Trellopoulos, 7” vinyl single
- Chapter 69 – the Early Years, 3 videos by Lothar Hempel, videocassette VHS Pal, 30,” Editione Gregorio Magnani
- 1994
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- Startrax, featuring Absolut & Superstar, a collaboration with Parhtena Trellopoulos, 7” vinyl single
- “We believe in You,” Videocassette VHS Pal, 8:20,” Edition Sabrina Grassi
- 1993
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- A Very Sad Story, Videocassette VHS Pal, 7:30,” Edition Daniel Buchholz, 1993
- LOVE IS NO FOUR LETTER WORD, the favorite lovesongs by twenty male artists, audiocassettes, 1993
- 1992
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- 240 Minuten, Videocassette VHS Pal, 240,” Edition by Esther Schipper