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Lothar Hempel

Born in Cologne 1966
Lives and works in Berlin

Education

  • 1987-1992 Kunstakademie Dusseldorf, Dusseldorf

Solo Exhibitions

2010
  • Silberblick / Squint, Stuart Shave/Modern Art, London
  • Pyramix Pix, c/o – Gerhardsen Gerner, Berlin
2009
  • Kats, Nerves, Shadows & Gin, Anton Kern Gallery, New York
  • MGM, Oslo
  • Cafe Kaputt, Gio Marconi, Milan
2008
  • Casanova & Other Problems, Stuart Shave/Modern Art, London
  • Casanova, Douglas Hyde Gallery, Dublin
  • Signal, Galerie Art Concept, Paris
2007
  • Alphabet City, Magasin – Centre National d’Art Contemporain, Grenoble, France
  • Stuart Shave Modern Art, London
  • Effetti Speciali, Atle Gerhardsen, Berlin
2006
  • Vanessa Baird – Me, myself and the other one, Atle Gerhardsen, Berlin
  • Umbrella, Anton Kern Gallery, New York
  • Tarantella, Bar Ornella, Cologne
2005
  • Casa Musica (extrema), Atle Gerhardsen, Berlin
2004
  • Fieber/Fever: 5 New Paintings and Other Stories, Anton Kern Gallery, New York
  • Ikarus, Art:Concept, Paris
  • On The Olympus, Unlimited Contemporary Art, Athens
  • Versteck!, with Petra Hollenbach, Parkhaus, Dusseldorf
2003
  • Der Gesang der Vögel ist Sinnlos!, The Song of the Bird is Nonsense, Anton Kern Gallery, New York
2002
  • Diamanten, c/o Atle Gerhardsen, Berlin
  • Fleisch: Maschine, Magnani, London
  • Concentrations 42, Dallas Museum, Dallas
  • Propaganda, Institute of Contemporary Art (ICA), London
  • Wespennest, Dallas Museum, Dallas
2001
  • Magnet, Art:Concept, Paris
2000
  • Das Orakel l’chelt. das Orakel lacht. das Orakel l’chelt, Ars Futura Galerie, Zurich
  • An Schlaf ist Nicht zu Denken, Lab of Gravity, Hamburg
  • Wespennest, (Wasps Nest) Anton Kern Gallery, New York
1999
  • Amerika Verschwindet nur das L’cheln Bleibt (America Disappears Only the Smile Remains), Anton Kern Gallery, New York
  • KAPUTT und die Folgen (Kaputt and the Consequences), Robert Prime, London
  • Videos, Centre Saint Gervais, Geneva
1998
  • Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne
  • Kunstschnee will Schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam
1997
  • Samstag Morgen, Zuckersumpf, Robert Prime, London
  • This Bittersweet Disaster, Anton Kern Gallery, New York
1996
  • Strom, Anton Kern Gallery, New York
  • The Bienenkorb Times, Galerie Daniel Buchholz, Cologne
1994
  • LOW, Artistbooth, Cologne Art Fair, Cologne Germany
  • LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm
  • OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London
  • Bewegungslehre (No Future), Buchholz und Buchholz, Cologne
1992
  • 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne

Group Exhibitions

2010
  • “IDEOLECT”, curated by Dirk Snauwaert, as part of the festival “Poetry in double time. A small lovely rustling Revolution”, various locations Bruges
  • Crosstown Traffic, Wentrup, Berlin
  • Cinematique, esthetique, politique, hermetique, Art:Concept, Paris
2009
  • Beaufort 03, Triennial for Contemporary Art, Blankenberge
  • SCULPTURE SHOW, Eastside Projects, Birmingham
  • Jean-Luc Blanc: Opéra Rock, curated by Alexis Vaillant, CAPC Musée d`Art Contemporain de Bordeaux, Bordeaux
  • Heaven, Athens Biennale, Athens
  • Biennale Estuaire Nantes < > St. Nazaires, Fond régional d`Art Contemporain des Pays de la Loire / Hangar à bananes, St. Nazaire
  • Art Foundation Mallorca, Centro Cultural, Andratx CCA, Andratx
  • Festival de la creation du Centre Pompidou, Conciergerie, Paris
  • Birds love fish, CHERT, Berlin
  • Un Plan simple, Maison populaire, Centre d’art Mira Phalaina, Paris-Montreuil
2008
  • Sphinxx, Curated by Alexis Vaillant, Stuart Shave/Modern Art, London
  • A show of many parts, each part more spectacular and elaborate than the last, curated by Kirsty Ogg, The City Gallery, Leicester
  • 7th Gwangju Biennale, Gwangju
  • Martian Museum of Terrestrial Art, Barbican Art Gallery, London
  • Lustwarande 08Wanderland, Tilburg, Holland
  • La Fete Est Permanente / The Eternal Network, FRAC – Champagne-Ardenne, Reims
  • Art Berlin Contemporary 2008, Atle Gerhardsen, Berlin
  • Family and Friends, Anton Kern, New York
  • Lust warande, Skulpturenpark, Tilburg
  • Mistery of the Invisible Clock, curated by Joshua Nathanson, Karyn Lovegrove House, Hancock Park, Los Angeles
2007
  • Effigies, Stuart Shave Modern Art, London
  • Pale Carnage, Arnolfini, Bristol, touring to Dundee Contemporary Arts, Dundee
  • Half square, half crazy / À demi carré, à demi fou, Centre National d’Art Contemporain de la Villa Arson, Nizza
  • Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London
  • Galleri MGM, Oslo
  • Imagination becomes Reality. Werke aus der Sammlung Goetz, ZKM – Museum für Neue Kunst, Karlsruhe
2006
  • The Triumph of Painting – Part 4, The Saatchi Gallery, London
  • Implosion, Anton Kern Gallery, New York
  • Pelouses autorisees, Parc de la Villette, Paris
  • Angela Bulloch, A K Dolven, Olafur Eliasson, Ceal Floyer, Liam Gillick, Lothar Hempel Rirkrit Tiravanija, Galleri MGM, Oslo
  • I Love My Scene: Scene 1, curated by Jose Freire, Mary Boone Gallery, New York
2005
  • Growing Up Absurd, Kent Institute of Art and Design, Kent, UK
  • The Difference between you and me, The Ian Potter Museum of Art, Melbourne
  • Imagination becomes Reality, Part II. Painting Surface Space, Sammlung Goetz, Munich
  • Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin
  • World artists now!, Bijutsu Shuppan-Sha, Japan
  • Tombola, Kjubh, Cologne
2004
  • She’s Come Undone, Curated by Augusto Arbizo, Artemis Greenberg Van Doren Gallery, New York
  • Now is a Good Time, Curated by Dean Valentine, Andrea Rosen Gallery, New York
  • The Snow Show, Tate Liverpool, London
  • The Snow Show, Curated by Lance Fung, Cities of Kemi and Rovaniemi, Lapland
  • Curb Your Enthusiasm, Millers Terrace, London
  • The Drawing Project, Vamiali’s, Athens
  • Creative Growth, CCA, San Francisco
2003
  • Dark Shadows, Marc Foxx Gallery, Los Angeles
  • Michael Kohn Gallery, Los Angeles
  • Hands Up, Baby, Hands Up! 160 Jahre Oldenburger Kunstverein, 160 Arbeiten auf Papier, Oldenburger Kunstverein, Oldenburg
2002
  • Schöne Aussicht, Galerie Otto Schweins, Cologne
  • It’s Unfair!, Museum de Pavilijoens, Almere
  • Accrochage, Atle Gerhardsen, Berlin
  • Internationales Netzwerk, Fluxus und die Folgen, Karstadt Wiesbaden, Wiesbaden
  • Les vertus sont des titres, les souffrances sont des droits. Exposition de la collection du Frac Poitou-Charentes, Hotel Saint-Simon / Theatre d’Angouleme, Angouleme
2001
  • A New Horizon, Art:Concept, Paris,
  • Uniform: Order and Disorder, P.S.1, New York
  • Und Keiner Hinkt 22 Wege vom Schwegler Wegzukommen, Museum Kurhaus Kleve, Kunsthalle Düsseldorf, Düsseldorf
  • Drawings, Galeria Sales, Rome, I
  • I LOVE New York, Anton Kern, New York
  • Beauty Of Intimacy – Lens and Paper, Kunstraum Innsbruck
2000
  • Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago
  • 10 Jahre Ars Futura, Ars Futura, Zurich
  • Portraits, Thomas Rehbeiin Galerie, Cologne
  • Beauty of Intimacy? – Lens and Paper, The Loudon Collection, Gemeentemuseum Den Haag, Staatliche Kunsthalle Baden-Baden, Baden-Baden
1999
  • Titles for Drawings, AC Project Room, January, New York
  • oldNEWtOWn, Casey Kaplan, January, New York
  • Who, if not we?, Curated by Yilmaz Dziewior, Elizabeth Cherry Contemporary Art, Tucson
  • Nur Wasser Lasst sich Leichter Schneiden, Projektraum Hafen, Hamburg
  • Dessins, Forde Gallery, Geneva
  • A Radiant Future, Forde – Espace d’art contemporain, Geneva
  • Officina Europa, Galeria díArte Moderna, Bologna
1998
  • Conspirazione, Collection Re Rebaudengo, Turino
  • Roommates, Van Loon Museum Amsterdam
  • Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, curated by Francesco Bonami, Bard College, New York
  • Galerie Daniel Buchholz, Cologne
  • El NiÑo, Städtisches Museum Abteiberg Mönchengladbach
  • ars viva 98/99 – Installationen, Brandenburgische Kunstsammlungen Cottbus, Kunstverein Braunschweig, Braunschweig, Portikus, Frankfurt am Main
  • Zone, Fondazione Sandretto Re Rebaudengo, Turin
1997
  • Group Show: Painting, Photography, Drawing, Anton Kern Gallery, NY
  • Aura, (with Walter Dahn, Rosemarie Trockel & Dirk Bell) Galerie Ars Futura, Zurich
  • X 2, Wiener Secession, Vienna
  • Panic, ICA, London
  • Palais des Beaux Arts, Brussels
  • Surprisen, Kunsthalle Nurnberg
  • Bring your own Walkman, W 139, Amsterdam
  • Delta, a geographical expression, curated by Francesco Bonami, Musèe d’Art Moderne de la Ville de Paris
  • Cologne show, Goetheinstitut Turin
1996
  • Glockengeschrei nach Deutz, das Beste aller Seiten!, Daniel Buchholz, Cologne
  • This really nice, a project with students from the Royal Academy of Arts, Aircondition, Copenhagen
  • TRAFFIC, curated by Nicolas Bourriaud, CAPC Musée, Bordeaux
  • PUSH UPS, The Factory, Athens
  • AUTO REVERSE 2, Le Magasin, Grenoble
  • How Will We behave?, Robert Prime Gallery, London
  • Escape Attempts, curated by Simon Sheik and Globe, Christiania, Copenhagen
1995
  • Atomic!, Oberwelt Galerie, Stuttgart
  • Auto Reverse, Centre Européen de la Culture, Geneva
  • The Video Collection, Filmfestival Knokke, Knokke, Belgium
  • Figures, Le Parvis, Centre Meridien
  • The Moral Maze, curated by Liam Gillick and Philippe Parreno, e Consortium, Dijon
  • Stoppage, curated by Liam Gillick, CCC Tours, Villa Arson, Nice
  • I Confess, Nicolay Art Center, Copenhagen
  • Purple 8 1/2, curated by Purple Prose, Galerie Jousse Seguin, Paris
  • L’Hiver de l’Amour, Part 2, PS 1, New York
  • Aperto, previously unreleased!, curated by Sabrina Grassi, APAC Nevers
  • Photomontage, le Consortium, Dijon
  • Labyrinthe Morale, curated by Liam Gillick and Philippe Pareno L’Usine, Dijon
  • X/Y, curated by Christine van Asche, Centre Georges Pompidou, Paris,
  • Palast der Kunste, Utopie macht endlos (Lotus Club), Kölnischer Kunstverein, Cologne
1994
  • Sonne München, Galerie Daniel Buchholz, Cologne
  • Homegrown, Lotus Club, Cologne
  • Grand Prix, Air de Paris, Nice
  • L’Hiver de l’Amour, Musée d’art Contemporain de la Ville de Paris, Paris
  • Rue des Marins, Air de Paris, Nice
  • Residence Secondaire, Galerie Sabrina Grassi, Paris
  • 20, curated by Tomaso Corvi-Mora, Galleria Pascale Laccese, Milan
  • Caravanserai, Galerie W 139, Amsterdam
  • Henry Bond, Olafur Eliasson, Lothar Hempel, Saga Basement, Copenhagen
  • Das Studium der Kunstgeschichte…, Schleifschnecke, Künstlerhaus Stuttgart, Stuttgart
  • Miniatures, the Agency, London
  • Mixbild, Galerie Esther Schipper und Michael Krome, Cologne
  • 13 Levels of Meaning, with Henry Bond, Ars Futura, Zurich
  • Atomic, Neurotic, Exstatic, curated by Hendrik Larsson, The New ROOM, Guteborg
1993
  • Some artists I’ve been thinking about who fall under the title of: Wouldn’t it be more pluralistic to embrace turmoil and/or violence?, Andrea Rosen Gallery, New York
  • Galerie Esther Schipper at the Christopher Grimes Gallery, Santa Monica, CA
  • Biennale di Venezia, APERTO, Venice
  • Summer Show, Galerie Esther Schipper, Cologne
  • Future Book Collection, Air de Nice, Nice
  • Fuck the System Villa Rossi, Lucca
  • Food for Thought, curated by Felix Gonzalez-Torres, Franklin Furnace, New York
  • Phenylovethylamour, Unfair 1993, project by Lothar Hempel and Carsten Hoeller, Galerie Daniel Buchholz, Cologne
  • Unplugged, curated by Nicholas Bourriaud, Inter Conti, Cologne
  • jeder kind is van marmer, Bloom Gallery, Amsterdam
  • Christmasshop, Air de Paris, Paris
  • Video, Galerie Sabrina Grassi, Paris
  • 7e Semaine Internationale de Video (S.I.V.), Centre pour l’Image contemporaine Saint-Gervais, Geneva
1992
  • Prince, Madonna, Marky Mark & Cinderella, Ancient Etablissement Sacré, Liège,
    Paradise Europa, BIZART, Copenhagen
  • Tattoo Collection, Air de Paris & Urbi et Orbi, Jennifer Flay Gallery, Paris, Galerie Daniel Buchholz, Cologne, Andrea Rosen, New York
  • Lying on top of a building the clouds seemed to be nearer then they had when I was the street, Galerie Monika Sprüth, Cologne
  • Galeria Pasquale Leccese, Milan

Events

2005
  • Trinkwasser! Jazz Festival Köln, Cologne
1995
  • Wie kann ich sagen, was ich denke, bevor ich hure, was ich sage!, With Carsten Hoeller, a production by Casino I., Red Salon in the Volksbühne, Berlin
  • King’s Cross Project, Public Art Development Trust, London

Publications

2008
  • Casanova, exhibition catalogue, published by Douglas Hyde Gallery, Dublin
  • Kobel, Stephan. Lothar Hempel, abc art berlin contemporary newspaper, Berlin
2007
  • Alphabet City, JRP Ringier
  • Pale Carnage, Arnolfini, Bristol, Dundee Contemporary Arts, Dundee
2006
  • Umbrella, Anton Kern Gallery, New York
2005
  • Butterfly, Atle Gerhardsen, Berlin
2002
  • Propaganda, Lothar Hempel, ICA catalog, edited by Emma Stern, interview with Toby Webster
2001
  • Uniform: Order and Disorder, P.S.1, New York
2000
  • Meister, Helga. Und kein hinkt?, Wge vom Schwegler wegzukommen, Kleve
  • Lens & Paper, Gemeentemuseum Den Haag/ Kunsthalle Daden Baden
1999
  • Officina Europa, Galleria díart moderna Bologna
  • Ars Viva 98/99 Installationen, BDI, Cottbus/Braunschweig/Frankfurt
  • Barbara, Steiner. Snipers, Lotusclub and more…, NachWeimar (exhibition catalogue)
1998
  • El Nino, Museum Abteiberg Munchengladbach
1997
  • X2, Wiener Secession, Vienna
  • Delta, Musee díart Moderne de la Ville de Paris
  • Surprisen 2, Kunsthalle Nurnberg
1996
  • PUSH UPS, the factory, Athens Fine Arts School, Athens
  • TRAFFIC, CAPC Museum, Bordeaux
1995
  • X/Y, Centre Georges Pompidou, Paris
  • I Confess, Nicolaij

Selected Bibliography

2008
  • Stewart, Christabel. Hollywood Swingin: Lothar Hempel, Tank Magazine, Vol. 5, Issue 4, p. 22-23
  • Lothar Hempel: Endless Journey, Wound Magazine, March, p. 244
  • Window Dressed to Impress, The Irish Times, February 27
  • Guarracino, Antonella. Lothar Hempel, Exibart.com, February 26
  • Butler, Kay. Lothar Hempel: Cassanova, The Sunday Times, February 10
2007
  • Best of 2007: Lothar Hempel, ArtForum, December, p. 125
  • Turvey, Lisa. Lothar Hempel, ArtForum, January, p.125
  • van der Heide, Bart. Lothar Hempel, Frieze, October, p. 280
  • Moulene, Claire. Lothar Hempel, ArtForum, Summer, p. 284-285
  • Shariatmadari, David. Pale Carnage, Art Review, May, p. 131
  • Pecoil, Vincent. Lothar Hempel, Frieze, Issue 110, September
  • Lothar Hempel, Flash Art, May-June, p. 139
2006
  • What’s on, The Art Newspaper, No. 169, May
  • Johnson, Ken. I Love My Scene: Scene 1, The New York Times, February 17
  • Art News, February, No 165
2005
  • Chasim, Noah. Marvel and Fieber/Fever, Time Out New York Magazine, January 13 – 19, p. 57
2003
  • Gronlund, Melissa. Lothar Hempel, Contemporary, No. 52, 2003
2002
  • Taylor, John Russell. Road From Nowhere – Lothar Hempel, The Times, London, September 2002
  • Hayworth, Nick. Making Light of Heavy Themes, Evening Standard, London, September
  • Lothar Hempel ICA, ARTPREVIEW, September
  • Lothar Hempel, I-D Magazine, September
  • Guner, Fisun. Don’t Believe the Hype, Metro Life, September
  • Pecoil, Vincent. Lothar Hempel at Art: Concept, Paris, arttext, Spring
  • Weil, Benjamin. Lothar Hempel, Flash Art, May-June
2000
  • Ebner, Jorn. Lothar Hempel, Kunstmagazin No. 43, 2/2000, pp. 30-33
  • Hoffmann, Justin. Lothar Hempel, Kunstforum, Bd. 150 April-June, p. 430
1999
  • Higgie, Jennifer. Let’s get Lost, Frieze, issue 48, September-October
  • Arning, Bill. Lothar Hempel, America Disappears/Only the Smiles Remains_, Time Out New York, April 29-May 6, p. 65
  • Archer, Michael. Lothar Hempel, Art Monthly, n. 225, April, p.29-30
  • Steiner, Barbara. Snipers, Lotusclub and more…, NachWeimar (exhibition catalogue)
  • Verwoert, Jan. Lothar Hempel, Springerin, Nr. 2/1999, March-June
1998
  • Weil, Benjamin. Lothar Hempel, Flash Art, March-April, p.108
1997
  • Higgie, Jennifer. Lothar Hempel, Frieze, issue 37, November-December
  • Avgikos, Jan. Angus Fairhurst and Lothar Hempel at Anton Kern Gallery, Artforum. October
  • Freedman, Carl. Traffic, Frieze, May
  • Traffic, Artforum, May
1996
  • Schneider, Christian. Hempel, Huller, Eliasson, Metropolis M, January
  • Lothar Hempel, Let’s smile forever, ZAP-Magazine, Amsterdamned
1995
  • Lothar Hempel and Olafur Eliasson, Kryll as the Food of Tomorrow, Buffalo Bill, September
1994
  • Lothar Hempel, Let yourself go, Documents, March, 1994
  • Weil, Benjamin. Souvenirs des Immateriaux, Purple Prose, vol. 3
1992
  • Schwering, Gregor. Junge Kunst aus Köln, ZYMA, November 1992
  • Lothar Hempel, Ballance Akt, AMOKKOMA, vol. 3
  • Lothar Hempel, Ich kämpfe um Dich, Purple Press, vol. 2

Audio/Video Publications/Editions

1995
  • More Startrax, featuring Kai Althoff & Justus Kˆhnke, a collaboration with Parthena Trellopoulos, 7” vinyl single
  • Chapter 69 – the Early Years, 3 videos by Lothar Hempel, videocassette VHS Pal, 30,” Editione Gregorio Magnani
1994
  • Startrax, featuring Absolut & Superstar, a collaboration with Parhtena Trellopoulos, 7” vinyl single
  • “We believe in You,” Videocassette VHS Pal, 8:20,” Edition Sabrina Grassi
1993
  • A Very Sad Story, Videocassette VHS Pal, 7:30,” Edition Daniel Buchholz, 1993
  • LOVE IS NO FOUR LETTER WORD, the favorite lovesongs by twenty male artists, audiocassettes, 1993
1992
  • 240 Minuten, Videocassette VHS Pal, 240,” Edition by Esther Schipper

Collections

 
  • Honart Museum / Ebrahim Melamed Collection
  • Sammlung Goetz, München
  • Astrup Fearnley Museum of Modern Art, Oslo
  • Saachi Collection, London
  • Museum of Modern Art, New York
  • FRAC Champagne, Reims