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Collier Schorr

Born in New York 1963
Lives and works in New York

Education

1986
  • School of Visual Arts, New York

Solo Exhibitions

2008
  • Villa Romana, Florence
  • Le Consortium, Dijon, France
  • Jens F, Museum of Contemporary Art, Denver
2007
  • There I Was, 303 Gallery, New York
  • Badischer Kunstverein, Karlsruhe
2006
  • Other Women, Stuart Shave / Modern Art, London
2005
  • Jens F. , Roth, New York
2004
  • Fotogalleriet, Oslo
  • 303 Gallery, New York
  • Modern Art, London
2002
  • Consorcio Salamanca, Salamanca
2001
  • 303 Gallery, New York
2000
  • Emily Tsingou Gallery, London
1999
  • 303 Gallery, NEW YORK Georg Kargl, Vienna
  • Neue Soldaten, Partobject Gallery, North Carolina
1998
  • Archipelago: New Rooms, Stockholm Kultur 98, Stockholm
1997
  • 303 Gallery, New York
  • Galerie Drantmann, Brussels
1995
  • Galerie Drantmann, Brussels
1994
  • 303 Gallery, New York
1993
  • 303 Gallery, New York
1991
  • 303 Gallery, New York
1990
  • Standard Graphik, Cologne
  • 303 Gallery, New York
1988
  • Cable Gallery, New York

Group Exhibitions

2008
  • History Will Repeat Itself: Strategies of Re-enactment in Contemporary Art, Phoenix Hall, Dortmund, travelling to KW Institute of Contemporary Art, Berlin
  • Freeway Balconies: Contemporary American Art, curated by Collier Schorr, Deutsche Guggenheim, Berlin
  • Listen Darling… The World is Yours, curated by Lisa Phillips, Ellipse
    Foundation, Cascais , Portugal
  • Hard Targets: Concepts of Masculinity in Sport, curated by Christopher Bedford, Los Angeles County Museum of Art, Los Angeles, CA
  • Role Models: Photography by American Women, 1980 – 2005, The National
    Museum of Women in the Arts, Washington, DC
2007
  • Fit to Print, Gagosian, New York
  • Star Power: Museum as Body Electric, MCA Denver, Colorado
  • Family Pictures, New Acquisitions, Guggenheim Museum, New York
  • Reality Bites: Making Avant-Garde Art in Post-Wall GermaNew York, Sam Fox Art Centre at Washington University, St Louis
    Memorial to the Iraq War, Institute of Contemporary Arts, London
2006
  • Artist’s Choice: Herzog & de Meuron, Perception Restrained, MoMA, New York
  • Die Jugend Von Heute (Youth of Today), Schim Kunsthalle Frankfurt, Frankfurt
  • People, Museo D’Arte Contemporanea Donna Regina Napoli, Napoli
  • Human Game, curated by Francesco Bonami, Fondazione Pitti, Stazione Leopolda, Florence
2005
  • Seeing Double: Encounters with Warhol, the Andy Warhol Museum, Pittsburgh
  • Sport, Socrates Sculpture Park, Queens, New York
  • The Forest: Politics, Poetics and Practice, Nasher Museum of Art at Duke University, North Carolina, curated by Kathy Goncharov
  • Will Boys Be Boys? Questioning Masculinity in Contemporary Art, curated by Shamim Momin, The Salina Kansas, Museum of Contemporary Art, Denver, Herbert F. Johnson Museum of Art, Ithaca, New York
  • Indianapolis Museum of Art, Indianapolis
  • The Lost Paradise, Stiftung Opelvillen, Frankfurt
2004
  • The Muse, Leslie Tonkonow Artworks + Projects, New York
  • Open House – Working in Brooklyn, Brooklyn Museum of Art, New York
  • Beyond Compare: Women Photographers on Beauty, Toronto, Canada (touring)
  • Opportunity and Regret, Grazer, Kunstverein, Graz
2003
  • Terror Chic, curated by Eva Karecher, Spruth Magers, Munich, Germany
  • Strangers, Triennial of the International Center of Photography, New York
    Attack! Art and War in Times of the Media, Kunsthalle Wien, Vienna
2002
  • Screen Memories, Contemporary Art Center, Art Tower Mito, Japan
  • Biennial, Whitney Museum of American Art, New York
  • Some Options in Realism, Carpenter Center, Harvard University, Cambridge
2001
  • American Tableaux, curated by Joan Rothfuss, Walker Art Center, Minneapolis
  • Chick Clicks, ICA Boston, Boston, MA, also at Fotomuseum in Winterhur, Switzerland
  • Uniform, Order and Disorder, P.S. 1, New York
  • Settings and Players: Theatrical Ambiguity in American Photography, curated by Louise Neri, White Cube, London
2000
  • Photography Now: An International Survey of Contemporary Photography, curated by David S. Rubin, Contemporary Arts Center, New Orleans
  • Presumed Innocent, capcMusée d’art contemporain de Bordeaux, Bordeaux
  • Innuendo, Dee Glasgoe
  • Prepared, Georg Kargl Gallery, Vienna
  • Lightness, curated by Amy Steigbigel, The Visual Arts Gallery
  • 29th International Film Festival, Rotterdam, Rotterdam
1999
  • Foul Play, Thread Waxing Space, New York
1998
  • Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, Francesco Bonami, Center for Curatorial Studies, Fall Exhibition,
  • Arkipelag, Kultur 98, Stockholm
  • From the Corner of the Eye, Stedelijk Museum, Amsterdam
1998
  • Bathroom, curated by Wayne Koestenbaum, Thomas Healy Gallery, New York
1996
  • Inbetweener, Centre for Contemporary Arts, Glasgow
  • Ideal Standard Life, Spiral Wacoal Art Center, Tokyo
  • Persona, Renaissance Society, Chicago
  • Persona, Kunsthalle Basel, Basel
  • Collier Schorr and Larry Clark, Galleri Index, Stockholm
  • Collier Schorr, Martin Honert, and Tom Gidley, curated by James Roberts, Entwistle Gallery, London
  • a/drift: Scenes from a Penetrable Culture, curated by Josh Decter, Bard Center for Curatorial Studies, Annandale-on-Huson, New York
1995
  • Images of Masculinity, Victoria Miro Gallery, London
  • Narcissistic Disturbance, Otis Gallery, Otis College of Art and Design, Los Angeles
    fag-o-sites, Gallery 400, Chicago
  • La Belle et la Bete, curated by Lynn Gumpert, Musee d’Art de la Ville de Paris, Paris
  • Portraits, Janice Guy Gallery, New York
1994
  • In The Fields, Margo Leavin Gallery, Los Angeles
  • Bespoke, Margo Leavin Gallery, Los Angeles
  • Stonewall, White Columns, New York
1993
  • The Subject of Rape, Whitney Museum of Art, New York
  • Uber Leben, Bonner Kunstverein, Bonn, Germany
  • Fall from Fashion, The Aldrich Museum of Contemporary Art, Ridgefield
  • Everyday Life, curated by Simon Watson, Kim Light Gallery, Los Angeles
  • 10 year anniversary exhibition, Monika Spruth, Koln
1992
  • Boys & Girls Together/ Recent Photography, Beaver College Art Gallery, Galerie Rizzo, Paris
  • The Edge of Childhood, Heckscher Museum, New York
  • Works on Paper, Stuart Regen Gallery, Los Angeles
  • How It Is, curated by Jonathan Seliger, Tony Shafrazi Gallery, New York
  • One Leading to Another, 303 Gallery, New York
  • Songs of Innocence, Songs of Experience, Whitney Museum at the Equitable Center, New York
  • MOCArt Auction ‘92, Museum of Contemporary Art, Los Angeles
  • Benefit Auction, New Museum of Contemporary Art, New York
1991
  • Something Pithier and More Psychological, Simon Watson Gallery, New York
  • New Work by Gallery Artists, 303 Gallery, New York
  • Gulliver’s Travels, Galerie Sophia Ungers, Cologne
  • From Desire… A Queer Diary, curated by Nan Goldin, St. Lawrence College, New York
  • Someone, Somebody, Meyers Bloom Gallery, Los Angeles, curated by Simon Watson
  • The Subversive Stitch, Simon Watson Gallery, New York
  • When Objects Dream And Talk In Their Sleep, Jack Tilton Gallery, New York
Liz Larner, Karen Kilimnik, Collier Schorr, Anne Walsh, Richard Kuhlenschmidt Gallery, Santa Monica
  • Childs Play, Steven Beyer, James Croak, Kate Moran, Collier Schorr, curated by Catherine Liu, Lawrence Oliver Gallery, Philadelphia
  • All Grown Up, curated by Liz Dalton & Cindy Smith at CUNY, The Graduate Center in collaboration with Catherine Clarke, New York
1990
  • Commitment, The Power Plant, Toronto
  • All But the Obvious, Los Angeles Contemporary Exhibitions, Los Angeles
  • In the Beginning, Cleveland Center for Contemporary Art, Cleveland
1989
  • After the Gold Rush, Milford Gallery, New York, curated by Howard Halle
  • Erotophobia, Simon Watson Gallery, New York
  • New Langton Arts, San Francisco
1988
  • A Drawing Show, Cable Gallery, New York, curated by Jerry Saltz
  • Collier Schorr, Brenda Miller, Svetlana Kapanskaya, Cable Gallery, New York
1987
  • 303 Gallery, New York
  • Galerie Hufkens, Brussels, Belgium

Publications

2008
  • Forest and Fields, Volume 2, Blumen, Steidl
  • There I Was, Steidl
2006
  • Forest and Fields, Volume 1, Neighbors, Steidl
  • Human Game, Winners and Losers, Fondazione Pitti Discovery, Charta, Italy, pg. 234-235
2005
  • Jens F, Steidl, edition of 1,000, Germany
2004
  • Beyond Compare: Women Photographers on Beauty, Unilever Canada, Inc.
2004
  • Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, NY, and Steidl, Gottingen
  • art:21, Harry N. Abrams, Inc., New York
  • Attack, (exhibition catalogue), Kunsthalle Wein, Vienna
  • Conquistadores, Centro de Arte de Salamanca, Spain

Selected Bibliography

2008
  • Diaz, Eva. Collier Schorr: 303 Gallery, Modern Painters, December 2007/January 2008, p. 91-92
  • Churner, Rachel. Collier Schorr: 303 Gallery, Artforum, December, p. 352
  • Forever Paradise, Tokion, Vol. 2 No. 5, p. 82-87
2007
  • Collier Schorr: Metropolitan Museum of Art, Artforum, December, p 132
  • Herman, Nicholas. Collier Schorr, Interview Magazine, October, p. 100
  • Valesco, David. Collier Schorr: 303 Gallery, Artforum.com, September
  • Griffin, Tim. ArtForum, February, p. 268-277
  • Stange, Raimar. Neighbors, Modern Painters, February, p. 105
  • _There I Was: Portfolio by Collier Schorr, Artforum, February, p. 269-276
  • Griffin, Tim. Tim Griffin on Collier Schorr_, Artforum, February, p. 277
  • Eichler, Dominic. Distant Relations, Frieze, March, p. 140-147
2006
  • Curtin, Brian. ‘Signs Taken as Signs’, Contemporary, Issue 88, 2006, p. 52-53
  • Hatherill, Chris. ‘Neighbourhood Watch’, Tank Magazine, Volume 4, Issue 7, p. 32-33
  • Sumpter, Helen. Exhibition Review, Time Out Magazine London, October 4-11, p. 45
  • Needham, Alex. ‘The Eye of the Beholder’, i-D Magazine, Issue 268, p.15-159
  • Hicklin, Aaron. ‘Portrait of a Lady’, Blackbook, May 2006, p. 144-145
2004
  • Antonides, John. (ed.) open (ex. cat.) Brooklyn Museum, Brooklyn
  • Pollack, Barbara. Review, ARTnews, May, p. 151-152
  • Halle, Howard. ‘Local Color’, Bklyn, Spring 2004, p. 28 – 30
  • Woodward, Richard R. ‘Home Team Advantage: On Gallery Walls, the Art Kids Are Finally Taking on the Jocks’, The New York Times, Sunday, February 15, p. 17
  • ‘Review’, Exit Express, February, No.1, p. 30
  • Avigikos, Jan. Review, Artforum, March, XLIII, No.7, p. 182
  • Honigman, Ana Finel. ‘Inspired’, artnet.com
  • Aletti, Vince. ‘Falling in Love with Love, and Other Critical Dilemmas’, The Village Voice, February 13
  • Harris, Jane. Time Out, NY, January 22-29, Issue No.434, p. 55
  • Garrett, Craig. ‘Collier Schorr: Personal Best’, Flash Art, January-February, Vol. XXXVII, No. 234, p. 80-83
  • ‘Preview’, Art & Auction, January, p. 107
  • ‘Preview’, ArtReview: International Edition, V2N1, p. 28
2003
  • ‘Focus Photography’, Flash Art, Vol.XXXVI, No. 233, November-December, p. 89
    Kimmelman, Michael. ‘The Gaze Turns Outward and Sees Estrangement’, The New York Times, September 19
  • Pollack, Barbara. ‘Everyone Has an Ennial; Now It’s Photography’s Turn’, The New York Times, September 7
2002
  • Molesworth, Helen. ‘The Clothes Make the Man’, IMAGO 2002, Spain, p. 49-54
    Charley, NY, Issue 02
  • ‘Like Time Has Never Hit; Phonetalk with Collier Schorr’, interview with Jessica Gysel, KUTT, summer, No. 2, p. 8-20
  • Green, Alison. ‘Overnight to Many Cities’, review, Art Monthly, London, June, No. 257, p. 26-8
  • Gioni, Massimiliano. ‘The Whitney Biennial: All the Small Things’, Flash Art, May-June, p. 65, 71
  • Heartney, Eleanor. Review, Art in America, April, No. 4, p. 148
  • Pitman, Joanna. ‘Home Truths, roving eyes’, The Times, London, U.K., April 10, p. 8
  • Kent, Sarah. Review, Time Out London, May 29-June 5, No. 1658
  • ‘RCJ’s best London Show’, The Times, London, April 13
  • Lack, Jessica. Review, The Guardian, London, U.K., April 6
  • Haider, Arwa. ‘The World Through A Lens’, The Guardian, London, June
  • Jackson, Sarah. Review, Ameateru Photographer, London, April 6
  • Sumpter, Helen. Review, The Big Issue, London, March 25-31
  • Freedman, Cheryl. Review, What’s On In London, London, May 1
  • ‘It’s A Wide World’, Sleazenation, London, May
  • Cotter, Holland. ‘Spiritual America, From Ecstatic to Transcendent’, The New York Times, Friday, March 8, p. 35
2001
  • Chick Clicks, (exh.cat), ICA, Boston
  • Uslip, Jeffrey. Review, Flash Art, Jan-Feb, Vol. XXXIV, No. 222, p. 93
    Halle, Howard. ‘All quieton the western front’, Time Out NY, December 13-17, Is. 324/325, p. 109
  • ‘Photography out of the past’, New York Magazine, December 3
  • Aletti, Vince. ‘In the Army Now? Boy’s Life’, The Village Voice, December 4
  • Smith, Roberta. ‘Coloring the Troops: Uniforms Become Cultural Touchstones’, The New York Times, June 8, p. E29
  • Smith, Roberta. ‘Photography Review; Quick as a Shutter, Group Shows Shatter Conventional Wisdom’, The New York Times, July 6
  • ‘Art and Feminism’, edited by Helena Reckitt, text by Peggy Phelan, London,
    Phaidon Press, 2001, 257. 264. 174
  • photo shoot, Vogue Hommes International, Fall-Winter 01-02
  • photo shoot, Spin, August,Vol. 7, No.8, p. 120-5
  • ‘Settings and Players: Theatrical Ambiguity in American Photography’, curated by Louise Neri, White Cube, London
  • V Magazine, No. 11, May-June, p. 40
  • Coomer, Martin. Time Out, London, 4-11 April, p. 53
  • Denes, Melissa. ‘American caught off-balance’, The Sunday Telelegraph Magazine, February 25, p. 38-40
  • Visionaire, Man, spring, No. 35
2000
  • Johnson, Ken. Review, ‘Innuendo’, The New York Times, July 7
  • Review, ‘Innuendo’, The New Yorker, July 3
  • Bollen, Christopher. ‘Innuendo” (review), Time Out New York, June 29, Issue 249
  • Documents, issue 19, cover & p. 63
  • catalogue, 29th International Film Festival, Rotterdam, Holland, p. 220
  • Valdez, Sarah. Review, Art in America, Vol. 88, No. 2, February, p. 127
  • ‘UNIFORM: Order and Disorder’, edited by: Francesco Bonami, Maria Luisa Frisa, Stefano Tonchi, Edizioni Charta, Milan, 2000, p. 17
  • ‘Photography Now: An International Survey of Contemporary Photography’,
    curated by David S. Rubin, Contemporary Arts Center, New Orleans, (exh.cat), p. 52
  • ‘Presumed Innocent’, curated by Marie-Laure Bernadac and Stéphanie Moisdon, capcMusée d’art contemporain de Bordeaux, Bordeaux, France, (exh. cat), p. 86, 91
  • Becker, Ilka. ‘Einblendung: Korper, Atmospharik, und kunstlerische Fotografie’, IMAGINEERING, German, Jahresring 47, p. 185
  • Grant, Catherine. ‘Performativity: Collier Schorr, Anna Gaskell, Sarah Jones’, n.paradoxa, London, Vol. 6, p. 88-92
  • photo shoot, ‘style 3’, Libération, June, France
1999
  • Cotter, Holland. Review, The New York Times, Friday, Oct 15, p. E37
  • Siegel, Katy. Artforum, November, p. 141-142
  • ‘Foul Play’, The New Yorker, November 22, p 40
  • ‘Artist Project’, Documents, issue 16, Fall, p. 17-37
  • Review, Time Out New York, September 9-16, p. 113
  • Arning, Bill. Review, Time Out New York, September 23, p. 62
  • Aletti. ‘Voice Choices: Shortlist’, Village Voice, September 28
  • Saltz, Jerry. ‘Fall in the Trenches’, artnet.com
  • Purple, No. 3, summer, p. 156-166
  • Sante, Luc. ‘It’s Alive’, Metropolis, April, p. 75-114
  • Photo shoot, Dutch, issue 23
  • Photo shoot, I-D, issue 192, November, p. 132-147
  • Photo shoot, I-D, issue 191, October, p.203
1998
  • ‘Collier Schorr’, Purple Fashion, 4, winter
  • Nassau, Lawrence. Review, NY Arts Magazine, May, p. 15
  • Saltz, Jerry. Review, Time Out New York, April 9-16, p. 51
  • Townsend, Chris. ‘Vile Bodies: Photography and the Crisis of Looking’, published by Prestel
  • Shave, Stuart. ‘Fusion’, i-D Magazine, p. 154
  • Bradley, Alexandra. ‘The Eyes Have It’, Dutch Magazine, # 16
  • Lamoree, Jhim. ‘Hogere homokunde’, het Parool, June 25
  • Kistenmacher, Holger. Review, Kunstforum, October – December
  • ‘Collier Schorr’, From the Corner of the Eye, Stedelijk Museum, p. 110-115
  • ‘The Visitation of Revision’, From the Corner of the Eye, Stedelijk Museum”, p. 22-29
1997
  • Lillis, Karen E. ‘Collier Schorr: 303 Gallery’, Art Papers, May-June
  • Avgikos, Jan. ‘Collier Schorr at 303 Gallery’, Artforum, May, p.110
  • Smith, Roberta. ‘Art in Review’, The New York Times, February 28
  • Halle, Howard. Review, Time Out New York, February 25
  • Slonim, Jeffrey. ‘Basic Instincts’, Elle Decor, December/January, p. 106
  • ‘a/drift’, exhibition catalogue, curated by Joshua Dector, Center for Curatorial
    Studies Museum, Bard College, Annandale-on-Hudson
1996
  • Gedin, Andreas. ‘The Castle, Andreas Gedin on Collier Schorr’, Index Magazine, p. 48
  • Dannett, Adrian. ‘La Belle et La Bete’, Flash Art, March -April, p. 50
  • Feldman, Hannah J. ‘The Lolita Complex’, World Art, 2/1996, p. 55
1995
  • Belbode, Erik. translation, De Morgen, Brussels, Belgium, October 13
  • Hainley, Bruce. Artforum, March 1994, p. 91
  • Folland, Tom ‘In the Field’, Art Issues, January/February 1995, p. 44
  • Bonetti, David. ‘All is fair at the Phoenix’, San Francisco Examiner, Jan. 28, C-1
1994
  • Hainley, Bruce. Artforum, March p. 91
  • The New Yorker, Dec 26 1994
  • Cotter, Holland. ‘Art in Review’ The New York Times, Dec. 16
  • Kandel, Susan. ‘Land Ahoy’, Los Angeles Times, November 17, p. F13
1993
  • ‘When Objects Dream And Talk In Their Sleep’, catalog, Jack Tilton Gallery, NY
1992
  • ‘The Edge of Childhood’, catalog, essay by Barbara Coller, The Heckscher Museum, Huntingdon, NY
  • Dannett, Adrian. ‘La Belle et La Bete’, Flash Art, March -April, p. 50
  • Feldman, Hannah J. ‘The Lolita Complex’, World Art, 2/1996, p. 55
1991
  • Sparks, Amy. ‘In the Beginning’, Dialogue, January-February
  • Donahue, John. ‘Dress You Up’, Outweek, April 3 1991, p. 65
  • Saltz, Jerry. ‘A Dressing Down’, Collier Schorr’s The Well #1 (White), 1948-1991, Arts Magazine, April 1991, p. 13-14.
  • Spring, Justin. Review, Artforum, summer, 1991, p. 113
  • Crimp, Douglas & Takahiro Ueda, ‘AIDS’, Bijutso Techno, Vol.43, No.638, June
1990
  • Hirsh, David. The Native, April 8
  • Decter, Joshua. Review, Arts, summer, p. 95-96
  • Armstrong, Richard. ‘Mind Over Matter: Concept and Object’, M Magazine
1988
  • Mueller, Cookie. Details Magazine
  • Heartney, Eleanor. Review, Art in America, December
  • Cottingham, Laura. Flash Art
1987
  • Indiana, Gary. The Village Voice
  • Salvioni, Daniela. Flash Art

Selected Writing

2003
  • Feminism & Art: Nine Views, ArtForum, Vol. XLII, no. 2, October, p. 145
2001
  • response to New York Stories, by Jerry Saltz, Flash Art, October, Vol. XXXIV, No. 220, p.66
1999
  • No Place Like Home, Frieze, issue 43, p. 66 – 71
  • Artist’s Statement, Art Journal, Vol. 58, No. 4, winter, p. 25-27
1998
  • Saltz, Jerry. (editor) An Ideal Syllabus: Artists, Critics and Curators choose the books we need to read, text by Collier Schorr p. 51-2, published by rieze, London
1997
  • Outakes: On the Work of Jeff Wall, Parkett, no 49
  • An Interview with Roni Horn, Frieze, Issue 32
  • The Women: On Hilton Als, Frieze, Issue 32
  • A Pose is a Pose is a Pose: Art in Fashion and Art, Frieze, Issue 33
  • Track Star, Site Santa Fe catalog
1995
  • Who is the Fairest of Them All? (Collier Schorr conducts an art fair poll), Frieze, summer, p.10-11
  • Dicorcia, Philip-Lorca. Catalog essay for ICA, Boston
  • Close Encounters (Collier Schorr on Gregory Crewdson), Frieze, March-April, p. 44
  • Eau Du Teen Spirit (Collier Schorr on CK1), Artforum, February, p. 16
  • Deutsch, David. Review, Frieze, March/April p. 64
  • How Familiar Is It? (on Andreas Gursky), Parkett, issue 44
1994
  • Blood and Guts after High School, Art Club 2000, Frieze, December, p. 34-37
  • Bookforum (A Semiannual book review): Mel Ramos: Pop Art Images, with an introduction by Robert Rosenblum, Artforum, November, p.10
  • Openings: Inez van Lamsweerde, Artforum, October, p. 96
  • This Side of Paradise (Collier Schorr on Bas Jan Ader), Frieze, June/July/August, p.35
  • Andy Warhol’s Frankenstein, Frieze, issue 16, p. 46
  • Turrel, James. Review, Frieze, May, p. 50
1993
  • Lockdown – Robert Gober at Dia, Artforum, February, p. 89-90
  • Openings: Cheryl Donegan, Artforum, summer, p. 96
  • Eisenman, Nicole. Review, Frieze, June/July/August
  • Review, Frieze, November/December
  • Pierson, Jack. Frieze, November/December
1992
  • Car Babes Go Further, Artforum, September, p. 5-6

Selected Collections

 
  • Art Institute of Chicago, Chicago
  • San Francisco Museum of Art, San Francisco
  • Cleveland Center for Contemporary Art, Cleveland
  • Dannheiser Foundation, New York
  • Environmental Foundation Trust, New York
  • Foundazione Sandretto Re Rebaudengo, Italy
  • Henry Art Gallery, Seattle
  • Museum of Modern Art, New York
  • Neuberger & Berman, New York
  • North Carolina Museum of Art, Raleigh
  • Rubell Family Collection, Miami
  • Solomon R. Guggenheim Museum, New York
  • The Jewish Museum, New York
  • Wadsworth Atheneaum, Hartford
  • Walker Art Center, Minneapolis
  • Whitney Museum of American Art, New York